唐刁光胤寫生花卉 冊 桃花雙蝶磐石帶草
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- 資料識別：
- 故畫001113N000000001
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 刁光胤
- 主題與關鍵字：
- 春景 梅（白．紅．蠟梅） 蝶蛾
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 32.6x36.2公分、對幅 26.8x31.1公分、全幅 44.6x88.2公分
- 關聯：
- 石渠寶笈續編（重華宮），第三冊，頁1500&*故宮書畫錄（卷六），第四冊，頁1&*故宮書畫圖錄，第二十二冊，頁34-39&*刁光胤，一作光引，唐末雍京（今西安）人。黃巢之亂，隨僖宗避難至四川，復於昭宗天復年間（九O一—九O三）抵成都。善繪湖石、花竹、貓兔、鳥雀與龍水。在蜀中三十餘年，蜀人從其學者甚多，黃筌、孔嵩等人，曾親受其指導。 冊凡十幅，畫均設色，鮮麗精工，款金書「刁光胤」尤為奇特。一、桃花雙蝶，二、枯樹五羊，三、葵花立石，四、喬松臥兔，五、竹菊孤石，六、山貓遊蜂，七、老幹紅英，八、秋塘蜻蜓，九、水仙倚石，十、芙蓉蘸蘸水。 &*Tiao Kuang-yin was from Yung-chin (present-day Sian). To escape from the dangers of the Huang Chao rebellion, he fled to Szechwan with the emperor Hsi-tsung (r. 873 – 888). At the turn of the tenth century, he accompanied the emperor Chao-tsung (r.888-904) to Ch'eng-tu, Szechwan. He was noted for his paintings of rocks, flowers and bamboo, cats and rabbits, dragons and water, and birds. He lived in Szechwan for over thirty years, where he taught many pupils such as Huang Ch’üan and K'ung Sun. These ten album leaves, all rendered in color, are exquisitely executed in careful detail. The artist's signature in gold is particularly fine. The first album leaf depicts a blossoming peach tree and two butterflies; the second, five sheep beneath withered old trees; the third, sunflowers and an upright rock; the fourth, a rabbit resting beneath a stately pine; the fifth, bamboo and chrysanthemums around a solitary rock; the sixth, a wild cat chasing a bee; the seventh, an old trunk of a tree and red blossoms; the eighth, a dragonfly above an autumn pond; the ninth, narcissus and a curious rock; and the tenth, a water-drenched hibiscus. &*刁光胤（十世紀）的原籍是陜西西安，唐朝末年，因為黃巢作亂，才避難到四川成都。他善於畫湖石、花竹和鳥雀等題材，當地很多知名的畫家，都曾經跟隨他學習。 本幅選自「刁光胤寫生花卉」冊。畫雙蝴用粗筆點染，配景桃花與坡石細草，則描繪精謹、著色鮮艷，左下角更以泥金簽名，感覺分外搶眼。雖然沿襲了唐畫的古樸與厚重，但推測應該是後人的仿作。 &*Tiao Kuang-yin, originally from Hsi-an in Shensi, fled to Ch'eng-tu in Szechwan during the Huang Ch'ao rebellion in the late T'ang. As a painter, he excelled at such subjects as garden rocks, flowers and bamboo, and birds and sparrows. In Szechwan, many famous painters studied under him. This work from the album "Flowers Sketched from Life by Tiao Kuang-yin" shows a pair of butterflies depicted in sketchy brushwork with washes of ink. The background of blossoming peach trees and grasses by a rocky slope, however, was painted with more precise brushwork and opulent colors. In the lower right is a striking signature in gold ink. Although this work follows the simplicity of T'ang painting, it appears to be by a later artist. &*1.王耀庭，〈刁光胤桃花雙蝶〉，收入國立故宮博物院編輯委員會編，《草蟲畫特展圖錄》（臺北：國立故宮博物院，1986年初版），頁71。 2.劉芳如，〈中國古畫裡的草蟲世界 — 「草蟲天地」特展介紹（上）〉，《故宮文物月刊》，第220期（2001年7月），頁5。
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
