宋錢選蘭亭觀鵝圖 卷
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- 資料識別：
- 故畫001001N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 錢選
- 主題與關鍵字：
- 亭 江河、湖海 高士（士人、隱士） 侍從（侍女、童僕） 竹 鵝 房舍
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 24.7x82.1公分、隔水一 9公分、隔水二 5.9公分、裱綾一 2.2公分、裱綾二 2.4公分、隔水三 5.4公分、拖尾 24.6x65.8公分
- 關聯：
- 故宮書畫錄（卷四），第二冊，頁73 &*故宮書畫圖錄，第十六冊，頁381-384&*1.簡松村，〈宋錢選蘭亭觀鵝圖〉，《故宮文物月刊》，第25期（1985年4月），頁120-121。 2.姜映荷，《錢選人物鞍馬畫與山水畫復古問題研究》，國立臺北藝術大學美術史研究所碩士論文，2004年。 &*錢選（西元1239─1301年），浙江吳興人。字舜舉，宋景定間鄉貢進士。為「吳興八俊」之一。入元不仕，流連詩畫以終其身。山水、人物、花鳥無不擅長。 此手卷描繪王羲之坐於亭內，觀看湖中白鵝嬉戲，由鵝修長脖子擺動的優美姿態，得到書法運筆的靈感。山石以重複而單純的直線和曲線構成，再於輪廓內塗上石青、石綠、土黃等顏色，仿唐朝青綠山水的作風。此畫並不刻意追求古拙的趣味，充滿懷古情意。&*Ch'ien Hsüan, style name Shun-chü, was a native of Wu-hsing, Chekiang. He is considered one of the Eight Talents of Wu-hsing, a group of early Yüan Dynasty painters. He received the chin-shih degree as a provincial candidate ( hsiang-kung ) during the Ching-ting era. After the fall of the Sung he refused to serve the Yüan government and instead devoted himself to painting. His landscapes, figures and bird-and flower paintings are of exceptional quality. This hand scroll illustrates the story of Wang Hsi-chih, the famous Chin Dynasty calligrapher, whose spirited calligraphy is said to have been inspired by the sinuous movements of the long necks of geese. The rocks were painted in thin, angular lines in repeating patterns. The outlines are filled in with mineral blues and greens and natural yellows reminiscent of T'ang Dynasty blue-green landscapes. This painting conveys a sense of antiquity and nostalgia.&*錢選（一二三九－一三Ο一），浙江吳興人。字舜舉，宋景定間鄉貢進士，為「吳興八俊」之一，入元不仕。此幅描繪王羲之坐於亭內，觀看湖中白鵝嬉戲。山石以重複而單純的直線和曲線構成，再於輪廓內塗上石青、石綠、赭石等顏色，呈現一種古拙的趣味。傳世尚有其他複本。(20100710)&*Qian Xuan, style name Shunju, was a native of Wuxing, Zhejiang. One of the Eight Talents of Wuxing, he received the Presented Scholar (jinshi) degree as a provincial candidate in the Jingding era (1260-1264) but did not serve the Yuan after the fall of the Song. This handscroll illustrates the story of Wang Xizhi (307-365), the famous Jin "Sage Calligrapher," whose spirited style is said to have been inspired by viewing the sinuously long necks of geese. The rocks here were painted in straight and curving lines to make repeated patterns, as mineral blues and greens with ochre were added inside the outlines to create an archaic quality. There are also other copies that have survived through the ages. (20100710)&*銭選（1239-1301）、字は舜挙、浙江呉興の人。宋景定年間の郷貢進士で、「呉興八俊」の一人。元の朝廷には仕えなかった。本作は王羲之が東屋の中に座り、湖の鵞鳥を眺めている情景を描いている。山々は反復した単純な直線と曲線で構成され、輪郭の中に藍色、緑色、紅褐色などの色を埋め、古拙な趣を漂わせている。本作とは別に伝世の複本がある。(20100710)
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
