五代南唐巨然寒林晚岫圖 軸
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- 資料識別：
- 故畫000022N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 巨然
- 主題與關鍵字：
- 江河、湖海 寒林．枯樹
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 139.7x55.8公分、全幅 76.8公分
- 關聯：
- 石渠寶笈續編（御書房），第四冊，頁1916&*故宮書畫錄（卷五），第三冊，頁25-26&*故宮書畫圖錄，第一冊，頁97-98&*1.傅申，〈巨然存世畫蹟之比較研究〉，《故宮季刊》，第二第二期（1967年十月)，51-79。 &*本幅畫群山溪壑，林樹彌望，山石皴紋多以濕筆染破，明晦隱現，輪廓模糊，特饒山野煙霧之致。本幅無作者款印，依據舊籤，定為巨然之作，然筆墨則與江參（活動於西元十二世紀初）較為近似。巨然（十世紀），南唐鍾陵人，為開元寺僧。南唐亡（九七五年），隨李後主煜降宋，至汴梁。工畫山水，師事董源。善狀煙嵐景象，臻於妙境，與師齊名，並稱董巨。 &*Ch'-jan, a native of Chung-ling during the Southern T'ang dynasty, was a monk of the K'ai-y'an Temple. When the Southern T'ang dynasty fell in 975 A.D., he submitted to the Sung and went to the capital at Pien-liang (K'ai-feng). Ch'-jan, a landscape painter, is noted for his exquisite paintings of mist-covered mountains. His fame was as great as that of his teacher, Tung Y'an, their names often being coupled together. In this painting, wood-covered hills and streams that wind through ravines stretch into the distance. The texture strokes of rocks and mountains have been applied with a moist brush so that light and shadow merge and outlines are vague, especially where mist swirl around the mountains. This painting bears neither signature nor seals, but is a painting by Ch'-jan according to the label. However, the brushwork and use of ink resembles more closely that of Chiang Shen (early 12th c.).
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
