石渠寶笈初編(重華宮),下冊,頁797&*故宮書畫錄(卷五),第三冊,頁237-238&*故宮書畫圖錄,第五冊,頁65-66&*1.許郭璜,〈元陸廣仙山樓觀〉,收入《李郭山水畫系特展》(臺北:國立故宮博物院,1999年初版),頁67-72。 &*陸廣(活動於西元十四世紀中葉),字季弘,號天游生,江蘇吳縣人。善山水。 山勢平緩,由前景坡坨沿中軸向遠處延伸而上,群松高聳,亭閣樓宇依山際層層建築,松林與溪橋山徑之間,皆有遊人向山中行進,引領觀者的視線。描繪山頭坡石有光影變幻之感,用筆承自郭熙風格。 根據詩塘之董其昌跋語,本幅曾被分割成二軸,汪砢玉於十餘年間先後得之,方得拼接而恢復舊觀。&*Lu Kuang, a native of Kiangsu province, specialized in landscape painting. The background peak here rises from the rolling hills in front. The scenery is punctuated by clusters of tall pines and buildings. The foreground landscape is divided by a bridge, over which several figures from the right are about to cross, leading up into the landscape. The mountain forms were done in light and dark ink, suggesting the effect of light. The brushwork derives from the Kuo Hsi tradition. According to Tung Ch'i-ch'ang's inscription at the upper right, this painting was once separated into two scrolls down the middle. The collector Wang K'o-yü spent more than 10 years to bring them back together for remounting.