石渠寶笈續編(養心殿),第九冊,頁4397&故宮書畫錄(卷五),第三冊,頁12&故宮書畫圖錄,第一冊,頁39-40&天寶十四年(西元七五五年)安祿山舉兵造反,陷長安,明皇幸蜀避之。畫中著朱衣者即明皇,騎三騣照夜白,出棧道飛仙嶺下,乍見小橋,馬驚不進。筆法精勁工細,青綠設色,絢燦華麗。有學者認為本幅係宋人據舊稿摹繪者。&In 755, rebel forces led by An Lu-shan succeeded in capturing the capital, Ch'ang-an. Emperor Ming-huang was forced to flee the capital, and he sought refuge in Szechuan. In this painting, the figure wearing red clothing in the lower right corner is the emperor. Astride a horse with a braided mane, he rides along a mountainous path near towering peaks dotted with trees and interlaced with clouds. The emperor's horse is proceeding through the scene. The brushwork for outlining the forms in the painting is exquisite and taut, and mineral blue and green colors give it a jeweled effect. Some scholars believe this is a faithful copy of the original by a Sung dynasty (960-1279) artist. &1.陳階晉,〈唐人明皇幸蜀圖〉,收入王耀庭、許郭璜、陳階晉編,《故宮書畫菁華特輯》(臺北:國立故宮博物院,1987年初版,2001年再版),頁50-51。 2.王耀庭,〈唐人明皇幸蜀圖〉,收入王耀庭編,《青綠山水畫特展圖錄》(臺北:國立故宮博物院,1995年七月初版一刷),頁76。 3.陳韻如,〈(傳)唐人明皇幸蜀圖〉,收入林柏亭主編,《大觀- 北宋書畫特展》(臺北:國立故宮博物院,2006年初版一刷),頁147- 151。 4.〈唐作者佚名明皇幸蜀圖〉,收入國立故宮博物院編輯委員會編,《名寶上珍》(臺北:國立故宮博物院,1995年初版一刷),頁197。 5.陳韻如,〈〈明皇幸蜀圖〉畫意與風格的思考〉,《故宮文物月刊》,第273期(2005年12月),頁30-39。 6.李霖燦,〈山水畫中點景人物的斷代研究〉,《故宮季刊》,第十三卷第二期(1978年冬),頁25-40。 7.李霖燦,〈故宮博物院的名畫寶藏(下)〉,《故宮季刊》,第十四卷第一期(1979年秋),頁77-92。