符合台灣本土音樂家之影音典藏-李泰祥大師（藝術歌曲Lieder篇）的藏品

“Three Chapters of Fantasy“Three Chapters of Fantasy” sample score 1: The reading method of the “music score” is vertical, from up to down with the progressing of the time, and the relationship between time and space is decided by vision. The left half si

“Three Chapters of Fantasy“Three Chapters of Fanta...

主題與關鍵字：照片

841/2011

“Female Body” of “Three Chapters of Fantasy” was performed in “Poetry and Dance Drama” of “Visions Springing Up from the Tradition.”

“Female Body” of “Three Chapters of Fantasy” was...

主題與關鍵字：照片

842/2011

“Three Chapters of Fantasy” sample score 2: At the page before the “music score” full of images (see sample score 1 of previous webpage), it’s full of Tai-Hsiang Li’s symbol explanations for the convenience of the performers to read the score.

“Three Chapters of Fantasy” sample score 2: At the...

主題與關鍵字：照片

843/2011

“Three Chapters of Fantasy” sample score 3: The only period in “Three Chapters of Fantasy” that uses the staff to notate; however, it’s a kind of expression of sensibility and image; besides a lot of symbol explanations, Tai-Hsiang Li clearly marked the s

“Three Chapters of Fantasy” sample score 3: The on...

主題與關鍵字：照片

844/2011

“Three Chapters of Fantasy” sample score 4: The score of “mountain” that is like a labyrinth can let the performers bring the impromptu space into full play, just as free as walking in the mountain; also like the abundant life in the mountain, the perform

“Three Chapters of Fantasy” sample score 4: The sc...

主題與關鍵字：照片

845/2011

“Three Chapters of Fantasy” sample score 5: Explains the arrangement and combination that the performers can use.

“Three Chapters of Fantasy” sample score 5: Explai...

主題與關鍵字：照片

846/2011

“Breath, Break, Flow” sample score 1: In “Three Chapters of Revolution,” Tai-Hsiang Li used the leaving blank method (the Oriental concept) to record “the void,” and in “Breath, Break, Flow,” he used the staff to express; however, the rests on the score s

“Breath, Break, Flow” sample score 1: In “Three C...

主題與關鍵字：照片

847/2011

In “Taiwanese Cultural Festival,” the conductor Clyde Mitchell and members of Vancouver Symphony Orchestra performed Tai-Hsiang Li’s “Breath, Break, Flow.”

In “Taiwanese Cultural Festival,” the conductor Cl...

主題與關鍵字：照片

848/2011

The Olive Tree, D minor; orchestral music open score copy.

The Olive Tree, D minor; orchestral music open score...

主題與關鍵字：樂譜

849/2011

“Breath, Break, Flow” sample score 2: In the second chapter “Break,” Tai-Hsiang Li utilized the method of “prepared music” on piano strings, and the body of the piano also becomes a percussion instrument.

“Breath, Break, Flow” sample score 2: In the secon...

主題與關鍵字：照片

850/2011

The poster of “Taiwanese Cultural Festival” in Vancouver, Canada. Looking at the poster’s design theme “Aboriginal of Taiwan,” Tai-Hsiang Li had a feeling, and told the hostess Ms. Cecilia Chen that, “You know something? Coincidentally, I am an aboriginal

The poster of “Taiwanese Cultural Festival” in Van...

主題與關鍵字：照片

851/2011

“Breath, Break, Flow” sample score 3: Tai-Hsiang Li used many ways to record the sound rhythm of “Flow,” just like the tail of comet, and the ripple of seawater; there is also traditional unison repeat or lengthening; a different notation expresses a dist

“Breath, Break, Flow” sample score 3: Tai-Hsiang L...

主題與關鍵字：照片

852/2011

Rehearsal condition of “Surreal Chant.”

Rehearsal condition of “Surreal Chant.”

主題與關鍵字：照片

853/2011

Performed “Surreal Chant” at the third “Visions Springing Up from the Tradition” Concert; Tai-Hsiang Li wore make-up for the performance poster.

Performed “Surreal Chant” at the third “Visions S...

主題與關鍵字：照片

854/2011

Tai-Hsiang Li discussed the stage and costume designing of “Surreal Chant” with Tsong Pu (at the left in the middle) and Sophie Hong (at the right in the middle).

Tai-Hsiang Li discussed the stage and costume design...

主題與關鍵字：照片

855/2011