符合照片的藏品

“Three Chapters of Fantasy” sample score 3: The only period in “Three Chapters of Fantasy” that uses the staff to notate; however, it’s a kind of expression of sensibility and image; besides a lot of symbol explanations, Tai-Hsiang Li clearly marked the s

“Three Chapters of Fantasy” sample score 3: The on...

主題與關鍵字：照片

331/474

“Three Chapters of Fantasy” sample score 4: The score of “mountain” that is like a labyrinth can let the performers bring the impromptu space into full play, just as free as walking in the mountain; also like the abundant life in the mountain, the perform

“Three Chapters of Fantasy” sample score 4: The sc...

主題與關鍵字：照片

332/474

“Three Chapters of Fantasy” sample score 5: Explains the arrangement and combination that the performers can use.

“Three Chapters of Fantasy” sample score 5: Explai...

主題與關鍵字：照片

333/474

“Breath, Break, Flow” sample score 1: In “Three Chapters of Revolution,” Tai-Hsiang Li used the leaving blank method (the Oriental concept) to record “the void,” and in “Breath, Break, Flow,” he used the staff to express; however, the rests on the score s

“Breath, Break, Flow” sample score 1: In “Three C...

主題與關鍵字：照片

334/474

In “Taiwanese Cultural Festival,” the conductor Clyde Mitchell and members of Vancouver Symphony Orchestra performed Tai-Hsiang Li’s “Breath, Break, Flow.”

In “Taiwanese Cultural Festival,” the conductor Cl...

主題與關鍵字：照片

335/474

“Breath, Break, Flow” sample score 2: In the second chapter “Break,” Tai-Hsiang Li utilized the method of “prepared music” on piano strings, and the body of the piano also becomes a percussion instrument.

“Breath, Break, Flow” sample score 2: In the secon...

主題與關鍵字：照片

336/474

The poster of “Taiwanese Cultural Festival” in Vancouver, Canada. Looking at the poster’s design theme “Aboriginal of Taiwan,” Tai-Hsiang Li had a feeling, and told the hostess Ms. Cecilia Chen that, “You know something? Coincidentally, I am an aboriginal

The poster of “Taiwanese Cultural Festival” in Van...

主題與關鍵字：照片

337/474

“Breath, Break, Flow” sample score 3: Tai-Hsiang Li used many ways to record the sound rhythm of “Flow,” just like the tail of comet, and the ripple of seawater; there is also traditional unison repeat or lengthening; a different notation expresses a dist

“Breath, Break, Flow” sample score 3: Tai-Hsiang L...

主題與關鍵字：照片

338/474

Rehearsal condition of “Surreal Chant.”

Rehearsal condition of “Surreal Chant.”

主題與關鍵字：照片

339/474

Performed “Surreal Chant” at the third “Visions Springing Up from the Tradition” Concert; Tai-Hsiang Li wore make-up for the performance poster.

Performed “Surreal Chant” at the third “Visions S...

主題與關鍵字：照片

340/474

Tai-Hsiang Li discussed the stage and costume designing of “Surreal Chant” with Tsong Pu (at the left in the middle) and Sophie Hong (at the right in the middle).

Tai-Hsiang Li discussed the stage and costume design...

主題與關鍵字：照片

341/474

Rehearsal of “Surreal Chant;” his son Yi-Ching served as the conductor.Rehearsal of “Surreal Chant;”

Rehearsal of “Surreal Chant;” his son Yi-Ching ser...

主題與關鍵字：照片

342/474

Tai-Hsiang Li has learned many musical instruments without a teacher, and pipa is one of them; in the soundtrack of the movie “Boss Noballs,” he used pipa to replace yueqin, and sang to tell a part of story.

Tai-Hsiang Li has learned many musical instruments w...

主題與關鍵字：照片

343/474

Got the best original music score award of Golden Horse Award with the movie “A Sword Named Revenge.”

Got the best original music score award of Golden Ho...

主題與關鍵字：照片

344/474

Cooperated with Chein, Shang-Jen (at the right), the composer of Taiwanese children’s ballads for the album of “Taiwanese Children Songs;” published two record albums in 1980, and two record albums again in 1990.

Cooperated with Chein, Shang-Jen (at the right), the...

主題與關鍵字：照片

345/474