題名:台灣當代新編京劇劇作藝術之研究(1949-2005)
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- 資料類型：
- 來源資料庫:學位論文
- 著作者：
- 創作者名稱:韓仁先
- 主題與關鍵字：
- 主要分類:民俗傳說
- 中文關鍵詞:臺灣
- 中文關鍵詞:民間傳說
- 中文關鍵詞:京劇
- 中文關鍵詞:新編劇
- 外文關鍵詞:Taiwan
- 外文關鍵詞:Peking opera
- 外文關鍵詞:new edition
- 外文關鍵詞:new script
- 描述：
- 頁碼:358
- 中文摘要:京劇（或稱平劇、國劇）為中國古典戲曲中最具代表性的劇種之一，她的歷史已超過二百年，但仍活躍在今日的舞台上。由於特殊的時勢和背景，不但早期中華民國政府基於政治考量投注龐大的資源及關注，民間愛好及有識之士，亦為其發展前途憚精竭慮另闢蹊徑，藉「改良」、「新編」、「現代化」等名目開創新意，力圖挽回日漸流失的觀眾，並吸引年輕族群進入劇場。因此無論是京劇本身因時勢環境所趨，或人為有意的改革，她的歷程、發展方向及結果都與原產地—北京（中國大陸）之京劇迥異。 本論文以民國三十八年（1949）至九十四年（2005）間台灣新編創的京劇劇作為研究對象，參照期間台灣政經、社會及文化環境之更迭探討其產生原因，並就此新編劇劇目題材、主題意識、腳色行當、排場配置，及現代劇場元素的加入逐一析論，以綜觀新編京劇在台灣發展之脈絡。
- 英文摘要:Peking Opera is one of the most representative forms of Chinese traditional performing arts, looking back at more than 200 years of history, but still being much alive on modern stages. Due to special reasons, it was not only the government of the Republic of China in its early years on Taiwan, that granted many resources and much attention to Peking opera, but private persons and connoisseurs spent many efforts in the task of ‘enhancing’, ‘new editing’, and ‘modernizing’ this art, thus attempting at adding new aspects to Peking opera and reversing dwindling audience numbers; private circles especially tried to win over and attract the younger generation. It was therefore more than just the trend of the times that resulted in differences between Taiwan’s Peking opera and its original setting in Beijing (in the PR China), as it was the result of a deliberate attempt at reform. This thesis analyzes pieces of Peking opera, that had been newly edited and newly written in Taiwan during the time between 1949 and 2005. It explores reasons for creating these pieces by comparing scripts and literary conditions for their emergence with politico-economic, social and cultural factors of their time of emergence. While pointing out creative advances of new editions and new writings, the focus of research rests upon subject (劇目題材), reflective conscious (主題意識), character set (腳色行當), scene structure (排場配置), and modern stage elements (現代劇場元素). On the base of these contributing segments, a general evaluation of the genealogy of newly edited and newly written pieces of Peking opera in modern Taiwan is put forward.
- 出版者：
- 主要出版者:中國文化大學中國文學研究所
- 出版地:臺北市
- 日期：
- 出版日期:2006
- 語言：
- 語文:中文
- 管理權：
- 典藏單位:國家圖書館
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