題名:台灣祭祀紙錢圖像之研究
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- 資料類型：
- 來源資料庫:學位論文
- 著作者：
- 創作者名稱:林育本
- 主題與關鍵字：
- 主要分類:民俗傳說
- 中文關鍵詞:臺灣
- 中文關鍵詞:民間傳說
- 中文關鍵詞:祭祀紙錢
- 中文關鍵詞:民間信仰
- 中文關鍵詞:圖像
- 中文關鍵詞:視覺傳達
- 外文關鍵詞:Taiwan
- 外文關鍵詞:Ritual Bill (Atekier)
- 外文關鍵詞:Folk Religion
- 外文關鍵詞:Image
- 外文關鍵詞:Visual Communication
- 描述：
- 頁碼:215
- 中文摘要:台灣民間信仰在祭拜儀式中都備有供品與獻祭後燒化用的紙錢，其中祭祀紙錢除實際燒化獻祭外，紙錢的蓋印圖像部分，有其特殊的造形表現與紋樣圖飾，種類繁複多變，每個圖案可視為版畫的一種，因此，更具有濃厚的藝術內涵與鑑賞價值，可謂為民間通俗藝術之一。 本研究係以文獻分析及相關研究之探討，針對苗栗竹南、台南地區等實地進行資料蒐集與訪查，歸納彙整建立紙錢及其圖像的資料，並以「圖像學」的分析方法，來解析紙錢圖像的造形表現、構成法則、裝飾元素等視覺形式及其所蘊含的象徵意義、文化符碼與民俗信仰之精神。本研究完成台灣祭祀紙錢圖像之資料，所得研究結果及發現如下： 一、以紙錢整體構成的形式及使用對象可系統性分類成；「裱貼箔」類與「未裱貼箔」等兩類，其後再依紙錢用途或所代表意義，可次分為金紙、銀紙、準金銀紙、其他紙錢等四類。紙錢的使用因各地風俗習慣的不同，所使用之紙錢的種類、名稱、方式會有差異，各族群也有其特有習慣上的差別。 二、整體圖像之構成要素包含圖像類型及文字類型等兩項：圖像類型包含有神祇圖像、鬼魂圖像、人物圖像、動物圖像、植物圖像、器物圖像、自然圖像、幾何圖像、文字圖像等九大類；而文字類型則分為識別用途與內容描述為目的的兩種類型。 三、紙錢圖像乃根據對象所具有的特質及屬性，取有形或無形的對象「物」的形、義、音等運用象徵及轉化的手法方式，形成具有特殊意義的圖像。紙錢圖像所蘊含的精神及人文思維的內在涵意，反映出常民文化生活的特色；得到下列幾點的全貌：漢民族宇宙觀、宗教信仰崇拜、趨吉避凶的心理、民間審美藝術。 四、紙錢圖像具有古樸的造形及特殊的美感，尤其圖像所傳達的台灣宗教信仰及傳統民俗的思維內涵與視覺語彙，實為台灣視覺設計資源寶貴的文化素材。
- 英文摘要:A lot of sacrifices were prepared in the ceremony and particular paper money was burned as an offering to the spirit. We could find out that the stamped Images on the paper money have specific styles and patterns. There are various kinds of styles and each style has many different patterns. Each pattern could be seen as an engraving. Consequently, those Images with highly artistic connotations and appreciative values are part of the folk popular arts. First, we clarify and construct the research structure by means of the literature surveys and review some related studies. Next, The related data will be collected and investigated from the area of Miau-Li (苗栗) Junan(竹南), Tainan (臺南), etc. By categorizing the data obtained, the fundamental database is established. Finally, the analytic method of “iconology” will be applied to analyze modling expression of images, constituent rules, and ornamental elements, and then explore symbolic meaning of paper money, the cultural signs and the spirit of folk religion. This project has accomplished the data collection and analysis of paper money, and try to establish essential information relating to religious culture of paper money in Taiwan. The following is four conclusions of the study: I. The paper money can be classified into two types: “with tinsel” and “without tinsel” by its entire forming and the user. Then according to the uses and meanings of the paper money, it can be sorted into gold papers, silver papers, would-be gold and silver papers and others. The differences of paper money in style, name and using way are varied because of regional customs. II. There are two elements of constituting the whole image of paper money: Image and word. Image is divided into nine types: pictures of gods, spirits, people, animal, plant, implements, nature, geometry, and characters. Word has two functions: usage identification and content description. III. There are many specialties and attributions of paper money users. According to these specialties and attributions, images of paper money are formed into meaningful symbols by using the mode of symbolizing and transforming shape, meaning and sound of visible or invisible objects. The inner meanings of spirit and humanity of the paper money reflect the cultural life of common people, including the worldview of Han-race, the worship of religious belief, the psychology of pursuing good fortune and shunning calamity, and the folk esthetic sense. IV. The Image of the paper money has not only the antique style but also unique beauty. These images are not only used as references for the visual designers but also could achieve the goal of conserving Taiwan cultural property. The paper money is indeed a treasure of visual design in Taiwan.
- 出版者：
- 主要出版者:樹德科技大學應用設計研究所
- 出版地:高雄縣
- 日期：
- 出版日期:2002
- 語言：
- 語文:中文
- 管理權：
- 典藏單位:國家圖書館
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