清華嵒花鳥 軸
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連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 贈畫000689N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 華嵒
- 主題與關鍵字：
- 竹
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 113.5x57.5公分、全幅 72.2公分
- 關聯：
- 羅家倫夫人張維楨女史捐贈書畫目錄，頁124、174&* 華喦（西元一六八二－一七五六年），福建上杭人。字秋岳，號新羅山人。初寓杭州，後客揚州鬻畫。人物、山水、花鳥、草蟲無一不精。雖與八怪同時，然筆墨卻了無霸悍氣習，在揚州畫家中獨樹一格。 本幅為張維楨女士捐贈，畫梧桐、翠竹併立，枝上復有雙禽棲息鳴叫。通幅設色淺淡，乾濕並劑，極富鬆秀明麗的空靈之美。毋怪有人讚譽其畫能與清初之花卉名家惲壽平（一六三三－一六九○）並駕齊驅，對清中葉以後的花卉畫影響亦十分深遠。 &* Hua Yen, a native of Snang-hang in Fukien province, went by the style name Ch’iu-yüeh and the sobriquet Hsin0lo shan-len. He early resided in Hangchow but later took up residence in Yangchow to sell his paintings. He excelled at a variety of subjects, including figures, landscapes, birds-and-flowers, and grasses-and-insects. Although contemporary with the “Eight Eccentrics of Yangchow”, his brushwork lacks the bold bravura usually associated with them, making him a Yangchow painter in his own manner. This painting, donated to the National Palace Museum by Ms. Chang Wei-chen, includes representations of pawlonia and emerald bamboo. Repeated pairs of birds are in the branches roosting and calling. Done in light colors that are both wet and dry, the work has a beautifully light and bright spirit to it. Wonder some have praised Hua Yen’s ability in painting as comparable to that of the early Ch’ing master of flowers. Yün Shou-p’ing (1633-1690), as Hua’s style came to exert a great influcnce on flower painting from the mid-Ch’ing on. &*華嵒（西元一六八二—一七五六年），福建上杭人。字秋岳，號新羅山人。初寓杭州，後客揚州鬻畫。人物、山水、花鳥、草蟲無一不精。雖與八怪同時，然筆墨卻了無霸悍氣習，在揚州畫家中獨樹一格。 本幅為張維楨女士捐贈，畫梧桐、翠竹併立，枝上復有雙禽棲息鳴叫。通幅設色淺淡，乾濕並劑，極富鬆秀明麗的空靈之美，無怪乎有人讚譽其畫能與清初之花卉名家惲壽平並駕齊驅。 &* Hua Yan, a native of Shanghang in Fujian, went by the style name Qiuyue and the sobriquet Xinluo shanren. He first resided in Hangzhou but later moved to Yangzhou to sell his paintings. He excelled at a variety of subjects, including figures, landscapes, birds and flowers, and insects and grasses. Although contemporary with the Eight Eccentrics, his brushwork lacks the bold bravura usually associated with them, making him a Yangzhou painter in his own manner. This painting, donated to the National Palace Museum by Ms. Zhang Weizhen, depicts paulonia and emerald bamboo together. Repeated pairs of birds are in the branches roosting or calling. Done in light colors both wet and dry, the work has a beautifully light and sprightly spirit. No wonder people praised Hua Yan’s ability in painting as comparable to that of the early Qing master of flowers, Yun Shouping.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
