石渠寶笈初編(御書房),下冊,頁916&故宮書畫錄(卷一),第一冊,頁76&趙孟頫(西元一二五四至一三二二年),字子昂,自號松雪道人,為宋宗室,湖州(今浙江吳興)人。宋亡,入仕元,累官至翰林學士,死後,追封魏國公,諡文敏。天資聰穎,詩文清邃奇逸,畫入神品,書法尤稱一世,篆、籀、分、隸、真、行、草,無不冠絕古今。而以小楷為第一。虞集稱其「楷法深得洛神賦而攬其標,行書詣聖教序而入其室,至於草書,飽十七帖而變其形,可謂書之兼學力天資,精奧神化而不可及矣」。蓋其書臨古功力極深,風骨秀逸,天機爛漫,能造王羲之父子之堂奧。&Chao Meng-fu was from Wu-hsing, Chekiang. His style name was Tzu-ang, his sobriquet Sung-hsueh tao-jen. Although he was a member of the Sung royal house, he entered the administration of the succeeding Yuan dynasty. He became a member of the Han-lin Academy and was given the title "Duke of Wei". He was also honored with the posthumous title Wen-min. Chao's natural abilities are evident in his poetry and essays. He is also one of the great painters of Chinese art history, and his calligraphy is unsurpassed. He demonstrated equal facility in seal, clerical, standard, semi-cursive, and cursive styles, but his greatest achievements were in the small standard script. Chao Meng-fu was always conscious of the importance of past styles and strove to emulate their good points. In spite of this reliance on past models, the appearance of his written characters is innovative, full-bodied, and relaxed. He was able to build on the foundation laid by Wang Hsi-chih (321-379) and Wang hsien-chih (344-386) of the Chin dynasty. &趵突泉在山東濟南市舊城西門外。趙孟頫服官濟南時,常游憩於此地。趙孟頫詩文書畫樂律無不精善,書法則篆籀分行草書無不冠絕古今,早年學宋高宗,後取則王羲之王獻之,末後復學李邕。是唐以後書法的集大成者,對當時及後世影響很大。趙字以完全唯美的風格見稱。書趵突泉詩作於元成宗元貞元年(1295)十二月,為周密作鵲華秋色之頃。最晚不超過大德八年(1304)周密卒年之前。亦即四十二歲到五十一歲間的作品。元趙孟頫書趵突泉詩潤秀圓轉,這正是趙氏書風的特色,也是存世趙書中墨跡楷書罕見大字。案卷中有「右二題」,今僅存其一,可見卷前已有遺失。