明杜瓊南湖草堂圖 軸
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- 資料識別：
- 故畫000417N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 杜瓊
- 主題與關鍵字：
- 杉 瀑布 松 水榭 傢俱（屏風） 江河、湖海 高士（士人、隱士） 房舍
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明憲宗成化四年（1468）
- 格式：
- 本幅 119.8x55.5公分、全幅 72.4公分
- 關聯：
- 石渠寶笈續編（重華宮），第三冊，頁1603&*故宮書畫錄（卷五），第三冊，頁302&*故宮書畫圖錄，第六冊，頁135-136&*1.本社，〈杜瓊南湖草堂〉，《故宮文物月刊》，第41期（1986年8月），封底裡。 &* 杜瓊（西元一三九六－一四七四年），字用嘉，號鹿冠道人，世稱東原先生，江蘇吳縣人。從小勤奮好學，讀書過目不忘。學識淵博，人品高潔，但卻終身不仕。 善畫山水，初師吳鎮，兼學董巨和王蒙。此圖考其畫筆，與王紱最為接近，其用意則又遠追黃公望。風格蒼秀細潤，老筆縱橫，樸實拙逸，為士人畫中佳作。畫作於成化四年（一四六八），先生時年七十三歲。 &*Tu Ch’iung, a native of Kiangsu province, was a fine calligrapher and painter who ignored no branch of learning even as a youth. Of great integrity and learning, he chose not to serve in public office. Tu excelled at painting landscapes and first studied the style of Wu Chen (1280-1354), which he combined with those of the 10th c. artists Tung Yüan and Chü-jan as well as Wang Meng (1308-1385). In examining this work, one finds that Tu’s brush and ink are most similar to those of Wang Fu (1362-1416). The spirit here, however, is actually close to that of Huang Kung-wang (1269-1354). Returning to a greater simplicity, Tu’s work is superior to that of most literati of his time. This work was painted in 1468, when Tu Ch’iung was 72. &* 杜瓊（西元一三九六至一四七四年），字用嘉，號鹿冠道人，世稱東原先生，私諡淵孝，吳縣人。讀書無所不通，旁及翰墨，書畫皆精。 杜瓊明經博學，為一時所尊。旁及丹青，遂亦巍然拔萃。考其畫筆，與九龍山人最為接近。此幀用意則又遠追子久。雲光樹影，意趣渾茫。老筆縱橫，歸於樸實，士人畫中之絕詣也。此畫作於成化四年（西元一四六八），先生年七十三歲。畫經項元汴、孫承澤收藏。 &*Tu Ch’iung was a native of Wu-hsien in Kiangsu province. His style name was Yung-chia; his sobriquet Lu-kuan tao-jen. He was commonly called Tung-yüan hsien-sheng and was given the posthumous title Yüan-hsiao. A fine calligrapher and painter, he ignored no branch of learning and was an artist by avocation. In studying Tu Ch’iung’s paintings, one finds that his brush and ink are most similar to those of Wang Fu. The spirit of Thatched Hut by the Southern Lake, however, is close to the work of Huang Kung-wang. Returning to a greater simplicity, Tu Ch’iung’s work is superior to that of most of the literati of his time. This work was painted in 1468, when Tu Ch’iung was seventy-two years old. The painting was formerly in the collections of Hsiang Yüan-pien and Sun Ch’eng-che. &*杜瓊（西元一三九六－一四七四年），字用嘉，號鹿冠道人，世稱東原先生，江蘇吳縣人。明經博學，為一時所尊，旁及丹青，終身不仕。 此畫作於一四六八年，時年七十三歲。老友周鼎構築別業於南湖，過訪屬杜瓊為圖以記。畫中雲光樹影，意趣渾茫。風格受元代黃公望影響，蒼秀細潤，老筆縱橫，為文人畫佳作。 &*Tu Ch’iung (style name Yung-chia; sobriquet Lu-kuan tao-jen; also known as “Mr. Tung-yüan”) was a native of Wu-hsien, Kiangsu. Versed in the Classics and well studied, he was one of the most venerated scholars in his day. He also did painting in his spare time, never seeking officialdom. This work was done in 1468, at Tu’s nominal age of 73. His old friend Chou Ting built a manor at Nan-hu, and Tu Ch’iung did this work to record a trip there to visit him. Here, the clouds light up and trees shimmer for an interesting and boundless effect. The style reveals the influence of the Yüan master Huang Kung-wang, and the elegance and smoothness with the mature brushwork throughout make this a masterpiece of literati painting.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
