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藝林清賞 冊 清徐恆蜜蜂芙蓉

藝林清賞 冊 清徐恆蜜蜂芙蓉

隸書。 畫芙蓉,清新淡雅,以淡墨鉤出花瓣,葉片以沒骨出之。兩隻蜜蜂遙遙相對,以滕黃染頭,凸顯於畫面,為平板的花葉增添鮮活的效果。 本幅為「藝林清賞」冊第十開。 &*Hibiscus Hsü.....more

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明許儀荷香清夏 軸

明許儀荷香清夏 軸

姿。本幅右下角有二方作者許儀的鈐印。 &* Hsü I, the nephew of the artist Li Ts’ai-shih, followed his uncle’s style.....more

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清陳澧隸書題字琅琊台秦篆石刻拓本 軸

清陳澧隸書題字琅琊台秦篆石刻拓...

件由陳之藩先生捐贈。 &*Based on Ch’en Li’s inscription, P’an Shih-p’eng engraved a copy of the Lang-ya Terrace.....more

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清王時翼畫岳陽大觀 軸

清王時翼畫岳陽大觀 軸

:「陰風怒號,濁浪排空,日星隱耀,山岳潛形,商旅不行,牆傾楫摧。」此圖以生動巧妙的手法,重現了文字所描述的景象,令觀者有如身歷其境。 &* Wang Shih-i was the cousin.....more

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宋四家墨寶 冊 宋蘇軾書次韻秦太虛見戲耳聾詩 

宋四家墨寶 冊 宋蘇軾書次韻秦...

-ch'ing(709-785)and Yang Ning-shih(873-957), his calligraphy not inferior to that of Li Yung(678-747.....more

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明董其昌霜林秋思 軸

明董其昌霜林秋思 軸

sobriquet Ssu-pai. Receiving his chin-shih civil service degree during the Wan-li period (1573-1619.....more

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元陶復初畫秋林小隱 軸

元陶復初畫秋林小隱 軸

. In painting ink bamboo, he followed the style of Li K'an (1245-1320) and Li Shih-hsing (1282-l328). His.....more

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宋十二名家法書 冊 李建中書諮

宋十二名家法書 冊 李建中書諮

於肥厚之內,猶有唐代顏真卿、徐浩之風。可知趙孟頫所謂「西台書去唐未遠,猶有唐人餘風」之言不虛。本幅選自「宋十二名家法書」冊第一幅。&*Li Chien-chung (style name Te.....more

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明商喜四仙拱壽圖 軸

明商喜四仙拱壽圖 軸

. He entered the imperial painting academy during the Hsüan-te era and was awarded a title.....more

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明宋旭雲巒秋瀑圖 軸

明宋旭雲巒秋瀑圖 軸

。其下則高泉遽落,亂石小徑在長松間。兩翁觀泉,指顧而談。皴筆皆用濕墨小牛毛,而以渴苔提破,有疏朗之致。&*Sung Hsü was a native of Chia-hsing.....more

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集古名繪 冊 明李在圮上授書

集古名繪 冊 明李在圮上授書

(?-1431) Ming Dynasty Li Tsai, a native of Fukien province, was a Painter-in-Attendance in the Hsü.....more

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唐太宗立像(二) 軸

唐太宗立像(二) 軸

訴他西天如來處有大乘佛法,能解百冤之結,能消無妄之災。而玄奘向太宗表示願意前往,於是奉旨西行取經。&*   Li Shih-min (598-649), known by the posthumous.....more

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宋錢選煙江待渡圖 卷

宋錢選煙江待渡圖 卷

麗,構圖平遠浩渺,頗有絕世出塵之境。畫家藉著創作此幽寂靜謐,充滿詩意的山水,並在畫上題詩,委婉曲折地表達自己隱遁避世之願望。&Ch'ien Hsüan (style.....more

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明董其昌葑涇訪古圖 軸

明董其昌葑涇訪古圖 軸

was a native of Hua-t’ing, Kiangsu. His style name was Hsüan-tsai; his sobriquet was Ssu-pai. A chin.....more

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明唐寅山水 卷

明唐寅山水 卷

Ch’en who styled himself after Liu Sung-nien and Li T’ang of the Sung dynasty. This painting.....more

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