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元趙孟頫七札 冊

元趙孟頫七札 冊

。&* Chao Meng-fu’s (1254-1322) running and regular scripts were largely based on the calligraphy.....more

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元張舜咨畫樹石 軸

元張舜咨畫樹石 軸

-tzu's use of the brush approaches that of Chao Meng-fu (1245-1322). 本幅 112.5x35公分、全幅 62公分 元順帝至正九年.....more

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元趙孟頫書閒居賦 卷

元趙孟頫書閒居賦 卷

之作,結體整飭,行間疏朗,為深受李北海影響之作品。&*Chao Meng-fu (style name Tzu-ang; sobriquet Sung-hsueh tao-jen.....more

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元趙孟頫書朱子感興詩  卷

元趙孟頫書朱子感興詩  卷

Meng-fu's calligraphy for steles rather resembles Li Yung's "Yueh-lu-tzu-lo" script. The present.....more

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元唐棣霜浦歸漁圖 軸

元唐棣霜浦歸漁圖 軸

of Chao Meng-fu, but later also turned to the styles of Wei Yen, Li Ch'eng and Kuo Hsi.....more

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明陶成菊花雙兔圖 軸

明陶成菊花雙兔圖 軸

Chrysanthemums T’ao Ch’eng (fl. 15th c.) Ming Dynasty T’ao Ch’eng had two style names, Meng-hsü.....more

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明陳裸竹溪花塢圖 軸

明陳裸竹溪花塢圖 軸

, calligrapher and painter. His landscape style was after those of Chao Ch’ien-li, Chao Meng-fu and Wen.....more

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元人舊蹟 冊 朱德潤致吳季實教諭尺牘

元人舊蹟 冊 朱德潤致吳季實教...

for the characters all reveal the influence of Chao Meng-fu, but Chao's use of a rounded brush was more elegant. Chu.....more

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元趙孟頫書晝錦堂記 軸

元趙孟頫書晝錦堂記 軸

陽修相州晝錦堂記,結體謹飭內斂,筆墨遒勁秀發,通體氣勢暢旺,深受李北海影響。是其逝世前兩年,六十七歲之作。&*Chao Meng-fu (style name Tzu-ang; sobriquet.....more

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清吳歷梅花山館 軸

清吳歷梅花山館 軸

white. According to Wu Li’s inscription, the work is in the style of the 14th-century artist Chao Meng.....more

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元趙孟頫書蘇軾西湖詩 卷

元趙孟頫書蘇軾西湖詩 卷

高宗,中年以後,小楷法鍾繇,行草師二王、李邕,參以蘇米,筆致秀逸。本卷書蘇軾詩,沉穩中流露俊秀之氣,是六十七歲晚年佳作。&*Chao Meng-fu (style name Tzu-ang.....more

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元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

painting. Southern scholars such as Chao Meng-fu may have guided him, but the northerner Li K.....more

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元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

painting. Southern scholars such as Chao Meng-fu may have guided him, but the northerner Li K.....more

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元趙孟頫重江疊嶂 卷

元趙孟頫重江疊嶂 卷

墨,都極清婉奇突。全幅用淡墨起稿,逐層鉤染提破,間有筆不掩墨處。五十歲(一三○三年)畫。&*Chao Meng-fu, a native of Chekiang province.....more

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宋元墨寶 冊 元張雨書五言律詩

宋元墨寶 冊 元張雨書五言律詩

's calligraphy initially followed after that of Chao Meng-fu, but later he studied that of Li Yung.....more

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