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清姚文瀚畫第一阿迎阿機達尊者 軸

清姚文瀚畫第一阿迎阿機達尊者 ...

(modern Peking). He excelled in Buddhist and Taoist figure painting and served as a painter in the Inner.....more

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宋李唐江山小景 卷

宋李唐江山小景 卷

added for modeling and volume. Furthermore, short lines express the texture of the rock facets.....more

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明史文玉蟾圖 軸

明史文玉蟾圖 軸

at painting landscapes and figures, taking the styles of Liang K’ai (fl. Early 13th c.) and Wu Wei (1459.....more

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明陳洪綬喬松仙壽圖 軸

明陳洪綬喬松仙壽圖 軸

. The composition of this painting is most ingenious. The liues are forcefully drawn throughout and were.....more

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清金廷標畫墨牡丹 軸

清金廷標畫墨牡丹 軸

Tingbiao (style name Shikui) was a native of Wucheng (modern Huzhou) in Zhejiang and skilled at painting.....more

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宋人嬰戲圖 軸

宋人嬰戲圖 軸

。鑲雲石桌面與壺門式圓腿漆凳均屬明式,此圖當出自明人之手。&*This Painting has neither seal nor signature of the artist. Depicted.....more

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宋元集繪 冊 元趙孟頫疏林秀石

宋元集繪 冊 元趙孟頫疏林秀石

and prose are excellent. His calligraphy and painting have served as models for generations. The painting.....more

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唐刁光胤寫生花卉 冊 桃花雙蝶磐石帶草

唐刁光胤寫生花卉 冊 桃花雙蝶...

and an upright rock; the fourth, a rabbit resting beneath a stately pine; the fifth, bamboo and chrysanthemums.....more

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唐刁光胤寫生花卉 冊 桃花雙蝶磐石帶草

唐刁光胤寫生花卉 冊 桃花雙蝶...

and an upright rock; the fourth, a rabbit resting beneath a stately pine; the fifth, bamboo and chrysanthemums.....more

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元顧安倪瓚合作古木竹石 軸

元顧安倪瓚合作古木竹石 軸

. In 1373, Ni Tsan saw this painting and later added the rock and inscribed his poem as well.....more

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五代後蜀丘文播文會圖 軸

五代後蜀丘文播文會圖 軸

at painting Buddhist and Taoist figures. This work represents a gathering of scholars on a summer day.....more

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明仇英松亭試泉圖 軸

明仇英松亭試泉圖 軸

is a rock upon which is a set of teapots, a tea leaf canister, and tea cups. This painting reveals.....more

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明陸治天池石壁 軸

明陸治天池石壁 軸

. In painting landscapes, he combined the styles of the Four Great Masters of the Yü.....more

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宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

。&The lohan sits with his back to a rock. His right shoulder is bare, and he.....more

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宋馬遠對月圖 軸

宋馬遠對月圖 軸

》,第18期(1984年9月),封底裡。 3.廖堯震,〈消失的名字和歷史 — 院藏兩件浙派名畫的鑑定與研究〉,《故宮文物月刊》,第305期(2008年8月),頁16-31。 &*This painting.....more

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