搜尋:painting technique

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明吳彬月令圖 卷

明吳彬月令圖 卷

Pin (style name Wen-chung) was a native of P’u-t’ien. He was noted for his painting and calligraphy.....more

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宋人法書(一) 冊 宋徽宗書詩

宋人法書(一) 冊 宋徽宗書詩

in painting and calligraphy, his skill and technique were unmatched. He.....more

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明仇氏杜陵內史畫白衣大士像 軸

明仇氏杜陵內史畫白衣大士像 軸

ândaravâsinīKuan-yin (Goddess of Mercy) on a white lotus. Her painting technique exhibits.....more

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明謝時臣四皓 軸

明謝時臣四皓 軸

technique and the whole painting is marvelously alive. 本幅 252.4x100公分&全幅 123公分 TIME.....more

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明陳淳崑璧圖 軸

明陳淳崑璧圖 軸

dots of dark ink, a technique derived from Shen Chou, but which stems ultimately from the works.....more

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清王翬雲溪草堂圖 卷

清王翬雲溪草堂圖 卷

and Southern schools of painting. Because of his consummate skill, he became the greatest master.....more

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清惲壽平王翬花卉山水合冊 冊 水仙

清惲壽平王翬花卉山水合冊 冊 ...

studied landscape painting but later came to feel that he could not compete with the master Wang Hui.....more

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清柳遇畫鶯粟 軸

清柳遇畫鶯粟 軸

) Hsien-ch’i, was a native of Suchou in Kiangsu province. He excelled in figure painting, achieving.....more

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明文徵明赤壁圖 卷

明文徵明赤壁圖 卷

as well as painting and calligraphy, and he was a leader in Soochow painting circles. Living and painting.....more

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明徐渭寫生 卷

明徐渭寫生 卷

to his own ranking, he considered his calligraphy best, poetry second, writing third, and painting fourth.....more

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宋劉松年十八學士圖 卷

宋劉松年十八學士圖 卷

and landscape painting, his fame surpassed that of his teacher, Chang Tun-li. Though unsigned.....more

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清艾啟蒙畫風猩 軸

清艾啟蒙畫風猩 軸

of the tendency towards realism, his technique was slightly inferior. Depicted in this painting is a loris.....more

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宋李公麟人物真蹟 卷

宋李公麟人物真蹟 卷

of technique, the scroll is executed in the “uncolored outline” ( pai-miao ) method, a method in which.....more

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明董其昌紀遊畫冊 冊 重巒疊翠

明董其昌紀遊畫冊 冊 重巒疊翠

璧:黃公望與富春山居圖特展》(臺北:國立故宮博物院,2011年五月初版一刷),頁336-337。&*The right painting of the second folio (“Layer.....more

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明董其昌紀遊畫冊 冊 鹿鳴山

明董其昌紀遊畫冊 冊 鹿鳴山

的運用卻已顯得簡樸,與吳派風格相異。(董其昌紀遊畫冊 第十一開左幅 20110609)&*The left painting of the eleventh folio in the album.....more

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