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明丁雲鵬廬山高 軸

明丁雲鵬廬山高 軸

Yün-p'eng (style name Nan-yü; and sobriquet Shen-hua chü-shih) was a native of Hsiu.....more

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元方從義高高亭圖 軸

元方從義高高亭圖 軸

uch as the Mongol Taoist Chang yen-fu and the Central Asian scholar Yü Ch'üeh.....more

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宋緙絲青牛老子圖 軸

宋緙絲青牛老子圖 軸

Li Erh and style named Tan. He was from the state of Ch'u in the Spring and Autumn period during.....more

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宋人法書(一) 冊 宋歐陽脩致端明侍讀留臺執事尺牘

宋人法書(一) 冊 宋歐陽脩致...

]. " Ou-yang was a very traditional calligrapher, being deeply influenced by the styles of Yen Chen-ch.....more

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明陸治彭澤高縱 冊頁

, Lu Chih was teaching at Lake Ch’en when his friend Li Chao-hsiang visited him and presented him.....more

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元劉貫道畫元世祖出獵圖 軸

元劉貫道畫元世祖出獵圖 軸

followed the styles of Li Ch'eng and Kuo Hsi. His animal and bird-and-flower paintings combined.....more

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宋人溪山暮雪 軸

宋人溪山暮雪 軸

)&*The title of this work was given by the editors of the Ch'ing dynasty imperial art catalogue Treasured.....more

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清高宗御臨蘇軾帖 軸

清高宗御臨蘇軾帖 軸

對象。本件清高宗雖以行書寫蘇軾〈硯銘〉,然而卻不見蘇軾特有的結字與豐腴的筆法,顯然是出於己意之作,仍可看出乾隆傳承自王羲之的書法風格。 &*Kao-tsung (Aisin Gioro Hung-li.....more

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元劉貫道畫元世祖出獵圖 軸

元劉貫道畫元世祖出獵圖 軸

followed the styles of Li Ch'eng and Kuo Hsi. His animal and bird-and-flower paintings combined.....more

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宋人溪山暮雪 軸

宋人溪山暮雪 軸

)&*The title of this work was given by the editors of the Ch'ing dynasty imperial art catalogue Treasured.....more

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宋郭熙早春圖 軸

宋郭熙早春圖 軸

, and although he studied the style of Li Ch’eng he was also able to express his own.....more

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宋郭熙寒林圖 軸

宋郭熙寒林圖 軸

specialty was landscapes, and although he was heavily influenced by Li Ch'eng, Kuo Hsi developed his own.....more

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明文伯仁松岡竹塢圖 軸

明文伯仁松岡竹塢圖 軸

style name was Te-ch’eng, his sobriquets Wu-feng, Pao-sheng and She-shan lao-nung. He followed Wang.....more

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宋人柳陰高士圖 軸

宋人柳陰高士圖 軸

. At ease, he strikes a pose of utter leisure. Appearing inebriated, the Ch'ien-lung Emperor (r.1736-1795.....more

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清惲壽平寫生花卉 冊 牡丹

清惲壽平寫生花卉 冊 牡丹

of the Six Gentleman of P’i-ling. Considered one of the Six Masters of Early Ch’ing, he is ranked.....more

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