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符合的藏品

明文徵明花卉 冊 芳塘淨植

明文徵明花卉 冊 芳塘淨植

for a friend. This is the 5th leaf. Here, Wen used light ink to outline the lotus petals and washes.....more

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元人畫虎 軸

元人畫虎 軸

powder to the eyes and used washes of dark green to make them stand out. It not only makes the tiger.....more

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清惲壽平寫生花卉 冊 秋空摘月

清惲壽平寫生花卉 冊 秋空摘月

the “boneless” method of washes used by Xu Chongsi (fl. latter half of 10th c.), but with his own.....more

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清李培雨畫牡丹 冊 牡丹(五)

清李培雨畫牡丹 冊 牡丹(五)

, blue, and green. The technique is a mixture of “boneless” washes and “sketching ideas.....more

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明孫枝梅花水仙 軸

明孫枝梅花水仙 軸

in washes of ink, bringing a sense of contrast to the solid and void as well as varying density.....more

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明戴進長松五鹿 軸

明戴進長松五鹿 軸

are decorated with horizontal lines arranged in layers to create form and texture. The washes of ink.....more

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元人春山圖 軸

元人春山圖 軸

brushwork outlines the “crab-claw” branches of wintry forests. Along with light ink washes to create.....more

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宋李唐江山小景 卷

宋李唐江山小景 卷

of ink delineate the outlines of the rocky landscape forms, to which shades of ink washes have been.....more

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清金廷標臨馬遠商山四皓 卷

清金廷標臨馬遠商山四皓 卷

manner. The work is in ink with slanted brushwork for carving out texture marks in washes.....more

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鳥譜(四) 冊 藍靛頦

鳥譜(四) 冊 藍靛頦

in monochrome ink and filled in with washes. Here, the ink captures the form of the rocks with a minimum.....more

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清惲壽平摹古 冊 水仙

清惲壽平摹古 冊 水仙

outlines in the “baimiao” ink-line manner. The places where the blades turn are rendered with gentle ink.....more

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清惲壽平寫生墨妙 冊 荷花

清惲壽平寫生墨妙 冊 荷花

interact to delineate the leaves. Steady lines for the veins add stability to the ink washes, giving.....more

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宋李成群峰霽雪 軸

宋李成群峰霽雪 軸

revealing dark, small “axe-cut” texture strokes and ink washes to impart atmosphere. Also, the small.....more

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明董其昌紀遊畫冊 冊 重巒疊翠

明董其昌紀遊畫冊 冊 重巒疊翠

. Amongst the mountains are clusters of trees done in dark green and ink, the slopes of the peaks first.....more

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宋李成群峰霽雪 軸

宋李成群峰霽雪 軸

revealing dark, small “axe-cut” texture strokes and ink washes to impart atmosphere. Also, the small.....more

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