搜尋:i tung

符合的藏品

清錢維城棲霞全圖 軸

清錢維城棲霞全圖 軸

the landscape styles of Wang Meng and Wang Yüan-ch’i and learned from Tung Pang-ta, becoming a leading.....more

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民國吳湖帆竹石 軸

民國吳湖帆竹石 軸

family. He followed in the style of Tung Ch’i-ch’ang (1555-1636) and was also good at poetry. Over.....more

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明顧正誼溪山秋爽 軸

明顧正誼溪山秋爽 軸

-i, a native of the Shanghai area, was a drafter at court in the Wan-li era (1573-1620). Noted.....more

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清張鵬翀春山出雲 軸

清張鵬翀春山出雲 軸

, sobriquet Nan-hua, and also called Ch’i-yüan san-hsien, “Idle sage of the Lacquer Gareden”), was from.....more

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清程志道摹丁雲鵬羅漢 卷

清程志道摹丁雲鵬羅漢 卷

particularly excelled at landscape painting and studied the Lou-tung school of Wang Yüan-ch’i. Next.....more

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明周臣甯戚飯牛圖 軸

明周臣甯戚飯牛圖 軸

with an archaic yet unusual style that is detailed yet free. This work shows Ning Ch'i (fl. 7th c. BC.....more

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五代南唐巨然蕭翼賺蘭亭圖 軸

五代南唐巨然蕭翼賺蘭亭圖 軸

I, an imperial official ordered to retrieve the masterpiece, disguised.....more

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明董其昌奇峰白雲圖 軸

明董其昌奇峰白雲圖 軸

小景,境本尋常。奇峰矗立於天外,雲影澒洞於林表,遂覺景況嵦爽,分外宜人。畫山畫樹皆用淡墨起手,逐層加濃。樹中如有煙氣,山色明淨而郁厚,蓋皆用墨之功也。 &*Tung Ch'i-ch'ang.....more

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清呂學東方朔負桃 軸

清呂學東方朔負桃 軸

捐贈。 &*Tung-fang Shuo Carrying Peaches Lü Hsüeh (fl. latter half of 17th c.) Ch’ing Dynasty.....more

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宋四家法書 卷 宋蘇軾書次韻三舍人省上詩

宋四家法書 卷 宋蘇軾書次韻三...

Shih (style name Tzu-ch'an; sobriquet Tung-p'o) was a native of Mei-shan, Szechuan. He received his.....more

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明董其昌臨褚遂良蘭亭敘 冊

明董其昌臨褚遂良蘭亭敘 冊

亭非不正,其縱宕用筆處,無跡可尋,若形模相似,轉去轉遠。」本冊行間佈置不類原帖,而用筆則深得王褚靈秀之意。&*Tung Ch'i-ch'ang, a native of Kiangsu, served.....more

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明沈士充畫郊園十二景 冊 晴綺樓

明沈士充畫郊園十二景 冊 晴綺...

,自成一格,雋永處讓人回味無窮。本幅選自郊園十二景一冊。&*The Ch’ing-ch’i Tower Shen Shih-ch’ung (fl. 1573-1644) Ming Dynasty.....more

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清弘?翠巘高秋圖 軸

清弘?翠巘高秋圖 軸

artist Tung Ch’i-ch’ang. &*弘旿(卒於西元一八一一年),為滿清宗室,姓愛新覺羅,字恕齋,又字醉迂,號一如居士、瑤華道人。官封固山貝子。能詩善畫。 層巒疊翠,秋葉點綴其間,色彩繽紛絢麗.....more

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五代南唐巨然雪圖 軸

五代南唐巨然雪圖 軸

or signature of the artist, but Tung Ch’i-ch'ang (the famed connoisseur-artist of the Ming) inscribed.....more

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清王鴻緒臨米芾書蘭亭序 卷

清王鴻緒臨米芾書蘭亭序 卷

and calligraphy. In calligraphy, he studied the styles of Mi Fu and Tung Ch'i-ch'ang. The original composition.....more

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