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符合的藏品

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楷書李白三五七言秋風詞

具一格的！(盧廷清賞析說明) DingQi_C-he_420 .....more

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楷書節錄醴泉銘詞

的飛白效果，才能使作品的意境提昇，達到筆墨精妙的書風。由本作品書寫內容的墨色變化，可見作者的用心，其主張更於作品之中得到印證。（蘇友泉賞析說明） DingQi_C-he_579 .....more

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楷書節錄化度寺碑銘

。（蘇友泉賞析說明） DingQi_C-he_578 .....more

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楷書 (二爨體) 杏壇夏蔭

正，殺紙有聲鋒有棱」的境界！(麥青龠賞析說明) DingQi_C-he_616 .....more

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草書李白山中答問

後五字「天地非人間」上下壓縮，具奇崛之感，同時筆勢中線順勢向左偏移，流動飄逸之態，借以呼應詩意內容的仙境意趣。(陳章錫賞析說明) DingQi_C-he_589 .....more

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楷書李白將進酒

，寬鬆外拓，粗細的線條或圓渾、或游絲，呈誇張對比，時而筋骨內斂、時而鋒芒外露，行筆間隱約存有〈鄭文公〉的痕跡。(麥青龠賞析說明) DingQi_C-he_705 .....more

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隸書(帶行) 琴書劍

。」職是之故，「琴書劍」應為天鶴先生心所嚮往的境界。(黃志煌賞析說明) DingQi_C-he_653 .....more

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錄遊山蕉作於臺灣嘉義

書壇，眾人習書率皆以平正停勻為能事，相較於鶴師對書道的實踐，實未能豹窺書道之妙。昔王子敬曾云：「外人哪得知。」嘆相知者稀，也許值得學書人去深究書道內涵。（蕭漢榮賞析說明） DingQi_C-he.....more

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行書(雙管齊書) 天然畫橋

，一正一斜，腳尖踮起。綜觀全篇，上下左右錯落安排，姿態橫生，律動調和。(黃志煌賞析說明) DingQi_C-he_774 .....more

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元黃公望洞庭奇峰　軸

asked Shen Du (1357-1434) to write an inscription. When Wen Zhengming saw the painting in 1510, he also.....more

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明仇英漢宮春曉　卷

’ang, Kiangsu. Originally a painting artisan (by some accounts a lacquer artist), he studied under.....more

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明陸治寫生　冊

) was a native of Wu-hsien, Kiangsu. Noted for his filial piety and personal integrity, he.....more

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定武蘭亭真本　卷

Preface, he ordered famous calligraphers to make copies, the best of which was by Ou-yang.....more

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五代南唐顧閎中鍾馗出獵圖　卷

the tiger. After them, comes Chung K'uei in official regalia riding a donkey. He is out on his demon hunting.....more

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明陸治彭澤高縱　冊頁

, this is the earliest surviving painting by Lu Chih. It dates to 1423, when he was 27. At that time.....more

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