搜尋:dRy

符合的藏品

明宣宗書畫合璧 冊

明宣宗書畫合璧 冊

“boneless” washes with “sketching ideas,” the major parts lined with dark ink. The dry branches.....more

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明陳洪綬雜畫 冊 紅杏

明陳洪綬雜畫 冊 紅杏

techniques to express an interest in archaic and distorted shapes. Dry brushwork and light ink were.....more

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明戴進牧牛圖 軸

明戴進牧牛圖 軸

from Tai Chin’s normal style. The water buffalo is painted rapidly with a dry brush. The willows.....more

3723/7453
集古圖繪 冊 明唐寅秋山

集古圖繪 冊 明唐寅秋山

strokes to portray the rocks in the foreground and the beauty of dry twigs and branches. The mountains.....more

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明程嘉燧秋溪疊嶂 軸

明程嘉燧秋溪疊嶂 軸

style of piled forms in dry ink. 本幅 197.5x78.5公分、全幅 86.5公分 明熹宗天啟四年(1624) 類型:繪畫 型式:靜態圖像 程嘉燧 數位化執行單位:國立故宮博.....more

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清黃鼎秋日山居 軸

清黃鼎秋日山居 軸

. A dry brush, Huang Ting’s particular signature, is employed throughout the landscape. Although.....more

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清唐岱畫歸隱圖 軸

清唐岱畫歸隱圖 軸

are described with dry brushstrokes that impart varying textures. The artist particularly paid attention.....more

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清董邦達楓谿觀瀑高宗御題 軸

清董邦達楓谿觀瀑高宗御題 軸

to emphasize its sentiment. The mountains and peaks have been depicted using a dry brush, and Tung’s.....more

3728/7453
清華喦畫壽星 軸

清華喦畫壽星 軸

differs from Ma’s extant works in the dry brushwork and pauses to the strokes in the drapery. Thus.....more

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清董邦達畫谿山深雪圖 軸

清董邦達畫谿山深雪圖 軸

line and dry ts’un, regularly spaced, are used to define the texture of the rocks. The clumps.....more

3730/7453
清方琮松閣聽泉圖 軸

清方琮松閣聽泉圖 軸

in layers of various shadings of ink--dry, wet, thick, and thin--lending an air of lush verdancy.....more

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清惲向秋亭嘉樹圖 軸

清惲向秋亭嘉樹圖 軸

This painting was completed when he was sixty-eight years of age. The ink is applied lightly with a dry.....more

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18750429

18750429

-lek-kan. There took some rice then off again but on a good dry path. We m 內容摘要說明:非常早就出發很快的就到達稻田的當中.....more

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唐顏真卿祭姪文稿 卷

唐顏真卿祭姪文稿 卷

in standard script. The ink ranges from thick to dry, and the corrections to the contents reveal.....more

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唐顏真卿祭姪文稿 卷

唐顏真卿祭姪文稿 卷

in standard script. The ink ranges from thick to dry, and the corrections to the contents reveal.....more

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