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符合的藏品
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明人便面畫冊（三） 冊 明陳遵...
influence on later generations. On this painting, the ink color is fluid, the use of the brush free.....more
- 212/363
明文徵明古木寒泉 軸
of the composition. This work was painted in 1549 at the age of 79. 文徵明（西元一四七０－一五五九年），江蘇長洲（今江蘇蘇州）人。初名.....more
- 214/363
清王原祁春雲出岫 軸
, this is probably a late work. Since the landscape is painted on silk, the surface coloring has an even glossier.....more
- 215/363
元唐棣倣郭熙秋山行旅 軸
the work a still and silent atmosphere.&*唐棣（1296－1364），字子華。吳興（今浙江湖州）人。善畫山水，師郭熙，得其蒼潤蓊鬱之趣，嘗畫嘉熙殿壁，所作為人貴重.....more
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宋李公麟畫歸去來辭 卷
had a major influence on later versions. The brush and ink of this work are pure and clear.....more
- 219/363
元盛懋松壑雲泉圖 軸
hidden. This work is traditionally attributed to Sheng Mou (style name Tzu-chao), a native of Lin.....more
- 221/363
清傳綮寫生 冊 花卉
dark inside to light outside, creating a rich and layered effect. The quick applications of the brush.....more
- 222/363
清傳綮寫生 冊 水仙
. With mature and succinct brush and ink, he personified his subjects, using symbolic expressions.....more
- 223/363
元人法書 冊 張雨書聽泉亭絕句
praised his art as “the best among Taoist works.” In the whole work, the beginning and end.....more
- 224/363
清王翬臨王維山陰霽雪圖 卷
work through the copies of his successors. Wang Hui’s manner of handling the brush in this painting.....more
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