搜尋:Style I

符合的藏品

明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

藏此帖關中本,刻入戲鴻堂帖中,並於晚年一臨再臨,其臨本僅本院收藏即已有三本,其書風正如董氏所謂:「於鬱屈瑰奇之中,自具柔情卓綽約態。」&*Tung Ch'i-ch'ang (1555-1636.....more

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明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

本院收藏即已有三本,其書風正如董氏所謂:「於鬱屈瑰奇之中,自具柔情卓綽約態。」&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing.....more

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清周亮工集名家山水 冊 明程正揆泉石林巒

清周亮工集名家山水 冊 明程正...

Ch’i-ch’ang (1555-1636). The artist has used a blunt brush and pale dry inks to execute.....more

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清高其佩江山春靄 軸

清高其佩江山春靄 軸

。溪水溶溶,遠山春靄,春意甚濃。全圖筆觸蒼勁,墨色濃淡有致,層次分明。 &* Kao Ch’i-p’ei whose style name was Wei-chih and sobriquets Ch.....more

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清弘?松塢雲濤 卷

清弘?松塢雲濤 卷

from Wang Yüan-ch’i, which would explain the similarity of the composition and style with those.....more

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唐王維江干雪意圖 卷

唐王維江干雪意圖 卷

inspired by ideas and poetry. In Tung Ch'i-ch'ang's formulation of the Northern and Southern Schools.....more

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明項聖謨畫蘆雁 軸

明項聖謨畫蘆雁 軸

of the famed collector Hsiang Yüan-pien. His style name was K’ung-chang, his sobriquets I.....more

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清鄒一桂畫金英秋實 軸

清鄒一桂畫金英秋實 軸

墨鉤花點葉,再略加線條鉤畫花葉筋脈,極為柔和典雅,尚見惲氏餘韻。&* Tsou I-Kuei, a native of Kiangsu, excelled at fine-line paintings.....more

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清鄒一桂畫梨花夜月 軸

清鄒一桂畫梨花夜月 軸

。梨花由含苞至全綻,或正或側,曲盡其態。花樹後,一輪明月由暗影中托出,益發顯出梨花的清明之姿。畫法乃仿自惲壽平沒骨法;花瓣直接用色點染出形彩,葉脈筋絡再略加線條鈎畫,極為柔和典雅。 &* Tsou I.....more

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清王學浩山水畫冊 冊

清王學浩山水畫冊 冊

üan-ch’i style. This landscape album, donated by Messrs. Lin Tsung-i and Lin Ch’eng-tao, was done.....more

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明沈士充畫郊園十二景 冊 晴綺樓

明沈士充畫郊園十二景 冊 晴綺...

,自成一格,雋永處讓人回味無窮。本幅選自郊園十二景一冊。&*The Ch’ing-ch’i Tower Shen Shih-ch’ung (fl. 1573-1644) Ming Dynasty.....more

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明董其昌臨十七帖 卷

明董其昌臨十七帖 卷

方式,不盡依照原本,每有誤字漏字現象。結字大都拉長,筆法則多變方為圓,變鈍為尖。然形貌容或略有出入,右軍之瀟灑優雅,卻未減分毫。&*Tung Ch'i-ch'ang (1555-1636.....more

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明董其昌葑涇訪古圖 軸

明董其昌葑涇訪古圖 軸

his own style. In his inscription, Tung Ch’i-ch’ang states that he was inspired to paint the picture.....more

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元趙孟頫書蘇軾西湖詩 卷

元趙孟頫書蘇軾西湖詩 卷

高宗,中年以後,小楷法鍾繇,行草師二王、李邕,參以蘇米,筆致秀逸。本卷書蘇軾詩,沉穩中流露俊秀之氣,是六十七歲晚年佳作。&*Chao Meng-fu (style name Tzu-ang.....more

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明林良秋鷹 軸

明林良秋鷹 軸

Dynasty Lin Liang, style name I-shan, was a native of Nan-hai, Kwangtung. He served in the Inner Court.....more

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