搜尋:Outline Style

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清金廷標鍾馗探梅 軸

清金廷標鍾馗探梅 軸

作,當即欲藉助鍾進士訪梅的情境,隱喻畫中人孤高不群的內在性格。&* Chin T’ing-piao (style name Shih-k’uei) was a native of Wu-ch’eng.....more

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名繪集珍 冊 宋賈師古巖關古寺

名繪集珍 冊 宋賈師古巖關古寺

(plain outline) style has an untrammeled manner. In this painting are two monks carrying sûtras.....more

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明陸治練川草堂圖 卷

明陸治練川草堂圖 卷

條,細勁遒邁,揮灑間已具日後用筆型態。 &*Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p.....more

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明陸治支硎山圖 軸

明陸治支硎山圖 軸

to the scenery around him. He used angular brushwork to outline the rocky forms as well as dry and light ink.....more

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唐褚遂良摹王羲之長風帖 卷

唐褚遂良摹王羲之長風帖 卷

Sui-liang was a native of Ch'ien-t'ang in Chekiang. His style name was Teng-shan. Widely read.....more

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明吳彬歲華紀勝圖 冊 浴佛

明吳彬歲華紀勝圖 冊 浴佛

. These two carefully executed outline-paintings, The End of Summer and Bathing the Buddha, have a slightly.....more

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清惲壽平摹古 冊

清惲壽平摹古 冊

of Hsü Ch'ung-ssu with his own techniques to create a unique style. He became the master of Ch'ing.....more

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宋李公麟畫歸去來辭 卷

宋李公麟畫歸去來辭 卷

, and the figures in outline manner (pai-miao) are fluid. This work bears neither seal nor signature.....more

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宋牟益擣衣圖 卷

宋牟益擣衣圖 卷

物樹木屋宇雜物,無一不精。眉宇之間,多有愁思之意,蓋天風漸寒,裁衣寄遠,固有懷思未能止也。 &*Mou I (style-name Te-hsin) was a native of Szechuan.....more

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宋賈師古大士像 軸

宋賈師古大士像 軸

subject, Chia Shih-Ku followed the style of Li Kung-lin. His pai-miao (ink outline) figures have.....more

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明崔子忠桐陰博古圖 軸

明崔子忠桐陰博古圖 軸

excelled as a figure painter, both in the pai-miao ink outline mode and in a colored style. In his.....more

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元王振鵬龍池競渡圖 卷

元王振鵬龍池競渡圖 卷

. The dragon boats lined up were done with utmost precision. Wang used the pai-miao (outline) style of ink.....more

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宋崔白竹鷗圖 軸

宋崔白竹鷗圖 軸

南宋畫家所為。 (20110913)&*Cui Bo (style name Zixi), a native of Haoliang (modern Fengyang, Anhui), served.....more

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五代後蜀滕昌祐牡丹 軸

五代後蜀滕昌祐牡丹 軸

with another artist, Tiao Kuang-yin. His painting style is meticulous and beautiful, rich in detail.....more

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元趙孟頫書畫孝經 卷

元趙孟頫書畫孝經 卷

. Each section is amply illustrated with outline drawings. The brushwork in those drawings is strong.....more

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