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清王翬畫溪山紅樹 軸

清王翬畫溪山紅樹 軸

and modern brush styles, and his painting style comprised the tradition of both northern and southern.....more

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清姚文瀚畫第二阿資答尊者 軸

清姚文瀚畫第二阿資答尊者 軸

(sobriquet Cho-t’ing) was a native of Shun-t’ien (modern Peking). He excelled in Buddhist and Taoist.....more

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明沈周策杖圖 軸

明沈周策杖圖 軸

have been pared down, suggesting the untrammeled purity of the style of Ni Tsan. The powerful.....more

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宋范寬秋林飛瀑 軸

宋范寬秋林飛瀑 軸

。畫中紅楓飄於水上,詩意是唐崔信明句「楓落吳江冷」。&* Fan K’uan was a native of Hua-yüan in Shensi province. His style.....more

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明周臣漁?圖 卷

明周臣漁?圖 卷

, was a native of Wuxian (modern Suzhou in Jiangsu). His style name was Shunqing and sobriquet Dongcun. He.....more

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清王翬臨范寬雪山圖 軸

清王翬臨范寬雪山圖 軸

collections. In this way, he was able to absorb the brush techniques of both ancient and modern masters.....more

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明沈度隸書歸去來辭 軸

明沈度隸書歸去來辭 軸

) and Hsuan-te (1426-1435) eras. He excelled at all script types and his style was graceful.....more

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宋林逋手札二帖 冊

宋林逋手札二帖 冊

, style name Chün-fu, was a native of Ch'ien-t'ang (modern Hangchow). A diligent student of antiquity.....more

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明吳彬月令圖 卷

明吳彬月令圖 卷

a uniquely archaic style which modern art historians have termed “transformational.”   吳彬(活動於西元十六世紀末),莆田人.....more

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宋李成寒江釣艇 軸

宋李成寒江釣艇 軸

are steady. The artist here was obviously familiar with the style of Li Ch’eng and Kuo His (fl.11th c.....more

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宋李唐江山小景 卷

宋李唐江山小景 卷

of maturity found in the style of the Southern Song Painting Academy. Though originally ascribed.....more

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明唐寅陶穀贈詞圖 軸

明唐寅陶穀贈詞圖 軸

and elegant style of Yuan artists. Forming a manner of his own, he was known.....more

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明陸治丹楓秋色 卷

明陸治丹楓秋色 卷

works, his transformation of the ancients into his own style (seemingly without effort) can be seen.....more

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清王原祁華山秋色 軸

清王原祁華山秋色 軸

of the 5 Sacred Peaks, is in southern Hua-ying County, modern Shensi. The main mount comprises 3 lofty.....more

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明周天球墨蘭 卷

明周天球墨蘭 卷

Ink Chou T’ien-ch’iu (1514-1595) Ming Dynasty Chou T’ien-ch’iu (style name Kung-hsia; sobriquet Y.....more

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