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清王武花卉 冊 墨畫牡丹

清王武花卉 冊 墨畫牡丹

free of academic mannerisms. &*王武(西元一六三二-一六九○年),字勤中,號忘菴,又號雪顛道人,吳縣(江蘇蘇州)人。精於寫生花鳥,王時敏極稱之曰:「近代寫生家多畫院.....more

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明陸治梨花寫生 軸

明陸治梨花寫生 軸

幾與衡山相垺。  水墨折枝梨花,盤曲繚繞而上。畫榦用筆老辣,亦極得勢。通幅自有一種雅澹之韻,分外宜人。 &*Lu Chih was a native of Soochow. His style.....more

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明唐寅觀瀑圖 軸

明唐寅觀瀑圖 軸

of human figures, flowers and birds, and landscapes. T’ang Yin’s style-names were Tzu-wei and Po-hu; his.....more

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明唐寅溪山漁隱 卷

明唐寅溪山漁隱 卷

’ang Yin (style names Tzu-wei, Po-hu; sobriquet Liu-ju) was a native of Suchou, Kiangsu. He had a free.....more

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明文徵明題宋高宗賜岳飛手?詞 卷

明文徵明題宋高宗賜岳飛手?詞 ...

, calligraphy, and painting, being one of the Four Ming Masters. Originally named Bi, he had the style name.....more

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明邵彌畫蓮華大士像 軸

明邵彌畫蓮華大士像 軸

sketchily for a free and loose quality. The unconventional rendering in the form of a scholar provides yet.....more

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清郎世寧畫開泰圖 軸

清郎世寧畫開泰圖 軸

scene. Behind is an old plum tree and verdant bamboo done in the free “sketching ideas” style.....more

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明仇英臨宋元六景 冊

明仇英臨宋元六景 冊

. Ch'iu Ying was from T'ai-ts'ang, Kiangsu. His style-name was Shih-fu; his sobriquet, Shih-chou.....more

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明人畫扇面 (乙) 冊 明人月下吹笛

明人畫扇面 (乙) 冊 明人月下...

, it is assigned to Ch’iu Ying on the basis of style. The simple composition shows a summer night scene.....more

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明唐寅函關雪霽 軸

明唐寅函關雪霽 軸

of many talents who led a free and unrestrained life. In 1498, he was first.....more

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清惲壽平寫生花卉 冊 牡丹

清惲壽平寫生花卉 冊 牡丹

in his repertoire and creating a new style, he became a leader in the genre. In this ink painting.....more

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花卉畫冊 冊 明陳繼儒梅花

花卉畫冊 冊 明陳繼儒梅花

面上,純假水墨揮掃枝幹蕊萼,筆筆不重形色,然益能顯現寫意花卉之雋永情趣。直可以「所作皆在筆墨畦徑之外」許之。&* Ch’en Chi-ju (style name Chung-ch’un.....more

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元吳鎮墨竹譜 冊

元吳鎮墨竹譜 冊

。冊首隸書「萬玉藂」三字,王一鵬所書,王為明弘治間貢生。&*Wu Chen (style name; Chung-kuei, sobriquets; Mei-hua tao-jen [The Plum.....more

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元吳鎮墨竹譜 冊

元吳鎮墨竹譜 冊

。冊首隸書「萬玉藂」三字,王一鵬所書,王為明弘治間貢生。&*Wu Chen (style name; Chung-kuei, sobriquets; Mei-hua tao-jen [The Plum.....more

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元方從義神嶽瓊林圖 軸

元方從義神嶽瓊林圖 軸

and the dots and lines of the slopes and trees all have a free and unbridled sense. Fang's landscapes.....more

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