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符合的藏品

宋錢選畫牡丹 卷

宋錢選畫牡丹 卷

豁翁錢選舜舉」。&*Ch'ien Hsüan (style name Shun-chü; sobriquets Yü-t'an, Ch'ing-ch'ü lao.....more

181/786
元倪瓚春雨新篁 軸

元倪瓚春雨新篁 軸

and is considered one of the Four Masters of the Yüan. Fresh bamboo grows from the side, its leaves.....more

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元王淵蓮池禽戲圖 卷

元王淵蓮池禽戲圖 卷

is skillful throughout the handscroll. Traditionally attributed to Wang Yüan, the rich and brilliant.....more

183/786
明丁雲鵬畫莊嚴大士瑞像 軸

明丁雲鵬畫莊嚴大士瑞像 軸

of Ting Yün-p'eng appears along the middle lower right border, the style indicates.....more

184/786
明宣宗戲猿圖 軸

明宣宗戲猿圖 軸

ships. In painting gibbons, Hsüan-tsung captured the poetic charm of I Y.....more

185/786
明鄭重畫釋迦牟尼佛 軸

明鄭重畫釋迦牟尼佛 軸

, and always fasted and bathed to purify himself before taking up his brush. Ting Yün-p’eng praised.....more

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元曹知白貞松白雪軒圖 軸

元曹知白貞松白雪軒圖 軸

間,飾以苔點,疏林深秀,天真平淡。&*Ts'ao Chih-po (style name Yu—hsüan; sobriquet Yün-hsi) was a native.....more

187/786
元王蒙會阮圖 卷

元王蒙會阮圖 卷

became known as one of the Four Yüan Masters. He took the styles of Wang Wei (701-761), Tung Y.....more

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元倪瓚遠岫樹石圖 軸

元倪瓚遠岫樹石圖 軸

,然後駕著小船和鄉野的漁夫隱士往來。 雲林的山水具有特殊的風格,構圖常作一河兩岸的取景,畫中樹石的安排都很簡單,而且畫面很少塗抹顏色,有著簡樸、天真淡雅的韻味。&*Ni Tsan (tzu Yü.....more

189/786
明王諤瑞雪凝冬 軸

明王諤瑞雪凝冬 軸

-1505). Since Emperor Hsiao-tsung greatly appreciated the style of Ma Yüan of the Southern Sung.....more

190/786
元王蒙松山書屋 軸

元王蒙松山書屋 軸

-1279) dynasty painters, especially the school of Tung Yüan (d. 962) and Chü-jan (f1.ca.....more

191/786
明董其昌仿米瀟湘白雲 軸

明董其昌仿米瀟湘白雲 軸

painting he followed the school of Tung Yüan (d. 962) and Chü-jan (fl. ca. 960-980) while.....more

192/786
明丁雲鵬十八應真像 軸

明丁雲鵬十八應真像 軸

著類似卡通的趣味效果。 &* Ting Yün-p'eng (style name Nan-yü, sobriquet Sheng-hua chü-shih.....more

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唐閻立本十八學士于志寧書讚 卷

唐閻立本十八學士于志寧書讚 卷

, including Tu Ju-hui, Fang Hsüan-ling and Yü Chih-ning. Yen Li-pen was ordered to paint.....more

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明周臣松泉詩思 軸

明周臣松泉詩思 軸

-1496). He based his style on the Sung Dynasty masters: Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia.....more

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