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元王蒙東山草堂圖　軸

而穩厚。雖樹幹鉤籐，山間苔點，極細微處，均無輕蹤之筆，故別有一種穩重蒼鬱意象。後人中如沈周，得力於此者甚多。&*Wang Meng, style name Shu-ming and sobriquet.....more

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圖意境在顯示所欲寫「菊片琴友」草堂撫琴之主題。&*Wang Meng (style name Shu-ming; sobriquets Huang-ho-shan-ch'iao, Hsiang.....more

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。錢穀此作，即係過渡時期的例證。&* Ch’ien Ku (style name Shu-pao; sobriquet Ch’ing-shih) was a native of Wu-hsien.....more

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Wen-fu and sobriquet Shu-liao) was a native of Wu-chiang（modern Ho county, Anhwei）. At the end.....more

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潤；山石樹木層??充塞滿幅，有古雅拙撲之趣。&*Wang Meng (style name Shu-ming, sobriquet "Woodcutter of Yellow Crane.....more

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derived from it. This is the first leaf in the album Sung shih-erh ming-chia fa-shu.&*李建中（945-1013），字得中.....more

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極深，因此，對捕捉花木草蟲的性情特徵，有獨到之處，這幀扇面墨梅便是一例，取景極簡單，潦潦數筆，卽點出梅的特色，老幹嫩枝疏花，三者相映成趣，將梅花的清、疎、幽意境表現無餘。&*Wen Shu (tzu.....more

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：「丙申五月，包山陸治識」。故知此冊完成於明世宗嘉靖十五（一五三六）年，時年四十一歲。&*Lu Chih (style name Shu-p’ing, sobriquet Pao-shan-tzu.....more

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覺。 &*Although neither the birth nor death date of Sun Chih (style name Shu-ta; sobriquets Hua-lin ch.....more

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Cheng-ming and Wang Meng (1308-1385), whose artistic quest for the Peach Blossom Spring.....more

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曾未見，精神真欲逼思翁（董其昌）。（童文娥）&* Hung Wu, whose style names were Shu-chai and Ts’ui-yü; sobriquets I-ju.....more

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, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He excelled.....more

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