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藝林清賞　冊　清瑛寶畫荷

作二首。瑛寶與墉素為文字交，畫風亦頗相類，此作堪為之證。　　本幅為「藝林清賞」冊第八開 &* Ying Pao, surnamed Pai-tu, was a Manchu who belonged.....more

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，觀此畫例，足證元明以降，山水畫已蔚成國畫作之主導。 Cheng Chung, a native of Hsi Hsien, Anhwei Province, was also called.....more

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之遺韻。 &* Ch’ien Ku was a native of Wu-hsien, Kiangsu. His style name was Shu-pao, and he called.....more

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is Chu-p’ing and Sobriquet, Pao-shan-tzu) hailed from Wu-hsien in Kiangsu. He studied with both Chu Y.....more

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in the latter half of the 12th century, ultimately achieving the post of Attendant in the Pao-wen.....more

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。錢穀此作，即係過渡時期的例證。&* Ch’ien Ku (style name Shu-pao; sobriquet Ch’ing-shih) was a native of Wu-hsien.....more

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。陸治以疏朗的直線勾畫皴擦山石，頗能脫去文氏的格局，自成風貌。 &*Lu Chih was a native of Wu-hsien (modern Soochow). He excelled.....more

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in Honan province. His tzu (style name) is recorded as both Shu-hsien and Kuo-pao. He was accomplished.....more

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：「丙申五月，包山陸治識」。故知此冊完成於明世宗嘉靖十五（一五三六）年，時年四十一歲。&*Lu Chih (style name Shu-p’ing, sobriquet Pao-shan-tzu.....more

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