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披薰集古　冊　明丁雲鵬太極真隱

。」故知此幀為丁氏西元一五八九年之作，時年四十三歲。 Ting Yün-p'eng (style name Nan-yu; sobriquet Sheng-hua chü-shih.....more

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Sung-hsueh tao-jen; also known as Ou-p'o) was a native of Wu-hsing, Chekiang. Although he.....more

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Meng-fu. The Chung-yu Temple stele was calligraphed by the Yüan Vice Censor-in-chief Chang Yang-hao.....more

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Ch’in Chi (dates unknown) Ch’ing Dynasty (1644-1911) Ch’in Chi, style name Yüan-yu, was a native.....more

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梅（白．紅．蠟梅）國立故宮博物院石渠寶笈初編（養心殿），上冊，頁497-498&*故宮書畫錄（卷六），第四冊，頁99&*故宮書畫圖錄，第二十四冊，頁34-39&*　　欽揖，吳縣（今江蘇蘇州）人.....more

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'ou (in Kiangsu province), was a skilled painter and calligrapher who often associated with famo.....more

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家認為「蘇、黃、米、蔡」四家中的「蔡」，是指蔡京，後世惡其為人，乃改為蔡襄。本幅選自「宋諸名家墨寶」冊。&*Ts'ai Ching was a native of Hsien-yu, Fukien.....more

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), but they are not aware that he was influenced by Ou-yang Hsün (557-641) and Ch'u Sui-liang (596-658)". The epitaph.....more

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brushstrokes, the strokes are in actuality round. His style has abandoned the sweet manner of Yu Shih-nan.....more

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and decoration (such as vertical ch'ui-yu). To the left is an attached pavilion. The columns inside.....more

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, a native of Hangchow, excelled at clerical script and was praised by Ou-yang Hsün, a famous.....more

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