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符合的藏品

清黃鉞繪時華紀瑞 軸

清黃鉞繪時華紀瑞 軸

Jiaqing, and Daoguang Emperors, excelling in the painting of landscape and flower subjects. He was one.....more

796/826
明仇英美人春思圖 卷

明仇英美人春思圖 卷

-chou), one of the Four Masters of the Ming, was a native of T’ai-ts’ang, Kiangsu. Originally.....more

797/826
明周臣漁?圖 卷

明周臣漁?圖 卷

. Following the compositional arrangement from right to left, one’s eye is led along the river banks.....more

798/826
明文徵明蘭亭修禊圖 軸

明文徵明蘭亭修禊圖 軸

as one of the Four Masters of the Ming. In ancient times during the Shang and Chou dynasties.....more

799/826
宋劉松年西園雅集 卷

宋劉松年西園雅集 卷

tendance at the Painting Academy. Many versions of this gathering were done over the ages, and this one.....more

800/826
無款豐綏先兆圖 軸

無款豐綏先兆圖 軸

in his right hand. Underneath him there are three tame devils and another one, holding a pomegranate.....more

801/826
清謝遂職貢圖(四) 卷

清謝遂職貢圖(四) 卷

empire. The vivid colours give great life to a scene which impresses one with the skill of its figure.....more

802/826
明吳彬歲華紀勝圖 冊 結夏

明吳彬歲華紀勝圖 冊 結夏

of color are strong, clear, and attractive. Although one can detect a hint of the style of Ming master.....more

803/826
清謝遂仿唐人大禹治水圖 軸

清謝遂仿唐人大禹治水圖 軸

emperor Yu the Great opening mountains and controlling floodwaters. To do so, Yu traveled the land, one.....more

804/826
清郎世寧畫白猿 軸

清郎世寧畫白猿 軸

and next to red maple saplings. With one hand rest on its knee, the other scratches an itch.....more

805/826
清郎世寧畫白鷹 軸

清郎世寧畫白鷹 軸

an imperial inscription from 1765, indicating it is one of the last works done by Castiglione, who died.....more

806/826
明仇英畫帝王道統萬年圖 冊

明仇英畫帝王道統萬年圖 冊

, becoming venerated as one of the Four Ming Masters. This album of twenty leaves depicts the events.....more

807/826
清謝遂職貢圖(二) 卷

清謝遂職貢圖(二) 卷

life to a scene which impresses one with the skill of its figure painting. In particular this work.....more

808/826
宋郭忠恕雪霽江行圖 軸

宋郭忠恕雪霽江行圖 軸

extending beyond the border of the painting. As such, with no one seen pulling, it suggests that the right.....more

809/826
五代梁荊浩匡廬圖 軸

五代梁荊浩匡廬圖 軸

layer-upon-layer, forming vast ravines with a vase sense of space from one peak to another. Modeled.....more

810/826

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