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歷代畫幅集冊 冊 無款春溪放櫂

歷代畫幅集冊 冊 無款春溪放櫂

。 In the distance a range of mountains is barely visible; one can indistinctly make out the village buildings.....more

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宋人畫千手千眼觀世音菩薩 軸

宋人畫千手千眼觀世音菩薩 軸

音的悲憫情懷。 The main deity in this painting is the Kuan-yin of One thousand Arms and Eyes. A host.....more

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宋元名繪 冊 宋人溪陰浴牧

宋元名繪 冊 宋人溪陰浴牧

with criss-crossing trunks create a canopy of deep shade. The leaves of one of the trees has already begun.....more

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宋人畫千手千眼觀世音菩薩 軸

宋人畫千手千眼觀世音菩薩 軸

音的悲憫情懷。 The main deity in this painting is the Kuan-yin of One thousand Arms and Eyes. A host.....more

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名繪集珍 冊  宋吳炳嘉禾草蟲

名繪集珍 冊  宋吳炳嘉禾草蟲

is also shown resting one of the blades of rice. The plants and insects were all rendered.....more

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明文徵明絕壑高閒 軸

明文徵明絕壑高閒 軸

。主來客坐,別無其它通徑,真有與世隔絕之概。此圖與其八十歲所作「古木寒泉」有相通之處,但不及其簡鍊。 Wen Cheng-ming, a native of Soochow, served at one.....more

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明陳洪綬撫琴圖 軸

明陳洪綬撫琴圖 軸

’in. Six maidens serve in attendance; one presents a platter, one holds a red chowry, one holds.....more

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清惲壽平摹古 冊 牡丹

清惲壽平摹古 冊 牡丹

of P'i-ling.” Considered the equal of the “Four Wangs,” he is one of the “Ssu Wang Wu Yün.....more

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元人三清圖 軸

元人三清圖 軸

deities in Taoism. Judging from the arrangement of the figures in this painting, the upper one.....more

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歷代畫幅集冊 冊 無款蘆汀白鷺

歷代畫幅集冊 冊 無款蘆汀白鷺

is looking up at the one descending as if to greet it. The layers of ink washes in this work.....more

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無名氏畫花鳥 冊 柏樹

無名氏畫花鳥 冊 柏樹

. In paintings of this scale, artists can take one of several approaches: they can strive to create.....more

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清鄒一桂畫芙蓉 軸

清鄒一桂畫芙蓉 軸

in outline manner. The author of Hsiao-shan’s Painting Manual, he is considered one of the premier flower.....more

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元王淵三白圖 軸

元王淵三白圖 軸

with withered leaves, green bamboo, and a tree with red leaves are situated on a sloped bank in one.....more

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明文徵明古木寒泉 軸

明文徵明古木寒泉 軸

瀑布 松 柏 溪澗、湍泉 國立故宮博物院 石渠寶笈三編(乾清宮),第二冊,頁568 故宮書畫錄(卷五),第三冊,頁376 故宮書畫圖錄,第七冊,頁99-100 文徵明(西元一四七0-一五五九年),江.....more

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清惲壽平寫生 冊 青芥

清惲壽平寫生 冊 青芥

. Considered one of the Six Masters of Early Ch’ing, he is also ranked as a leading painter. Originally.....more

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