符合的藏品

共找到 145 筆符合的資料

明陸治山水　卷

」，前有陸治同門好友陳淳（一四八三－一五四四）題字：「春在毫端」，後有師長文徵明（一四七O－一五五九）自書詩文，可說是吳門師生詩書畫合作。當時蘇州地區文風興盛，讀書人常以詩文書畫會友，畫中景點可能就是.....more

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at court. Shen Ts’an excelled at cursive script, studying that of Sung Sui and Sung K’o of the early Ming.....more

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. His style name was Hsün-chih; he was also known as Yen-k’o, Hsi-lu lao-jen, Hsi-t’ien chu-jen.....more

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-jen, Wu-mu Shan-jen, Ch’ien-men chi’ao-k’o, Ch’ing-hui Chu-jen) was a native of Ch’ang-shu, Kiangsu.....more

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and lances for a solemn, archaic brushwork. Although the later inscription by Wang T’o claims.....more

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leaf is a eulogy by the high official Ku K’o-hsüeh (?-1560), who served as Minister of Rites.....more

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to the inscription on this work by the Yüan dynasty connoisseur K'o Chiu-ssu (1290-1343.....more

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至體積感、質感，運用粗筆寫意，呈現水仙花葉的姿態與動勢，縱逸飄灑，不拘法度。畫水仙蒼勁老辣，蒼健中透出秀麗、高雅，略施鮮艷的朱色，與墨色對比，搖曳生姿，韻味和諧，畫者具有深厚的傳統文化奶O，把生活和情.....more

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用筆較為接近。他用赭墨輕染山石，又用花青點染林木，色調清雅，將寒冬時節學子讀書的情景，烘托出寧謐的感覺。（王競雄）&*陸治從學於文徵明（一四七O－一五五九），詩文、書法和繪畫都受到影響。二十九歲為友人.....more

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among the previous generation.” In addition, one of Hui-ch'ung's paintings inspired Su Tung-p'o (1036.....more

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