符合的藏品

共找到 12 筆符合的資料

明戴進撫松觀瀑　軸

to that of Tai Chin or a follower. Tai Chin’s style was based on the Southern Sung works of Ma Yü.....more

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風傾偃，益覺沁涼滿紙；牧童手持喜鶴反向而坐，與右行之水牛適成一均衡態勢，凡此俱見畫家營構之巧思。&* Tai Chin developed his landscape painting.....more

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of A Crane Wu Wei (1459-1508) Ming Dynasty Wu Wei was a native of Chiang-hsia in Hopei. His style.....more

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，貌類胡戎。其身穿華服，腰配彎刀，帛魚與海螺，左手執鞭，右手握糜以控牛，精神專注。紈牛淺毛驪色，羊角犬面，不似稚犢，反類靈獸。背後巨樹垂藤，遠處煙靄，景色恬靜。 &* Tai Chin.....more

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-1496). He based his style on the Sung Dynasty masters: Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia.....more

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reflects a style derived from that of the Southern Sung (1127-1279) masters Ma Yüan and Hsia Kuei.....more

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花點綴其間，士人會飲，醉意醺然。有徜徉於山徑、水濱者，亦有意猶未盡而繼續暢飲者。山石筆法靈巧活潑，遊人醉態的描寫極為生動。無畫家款印，筆墨風格已近浙派後期。 & Tai.....more

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innovates within tradition, was donated by Ms. Huang An-hsia. &*1.劉芳如，〈清吳榖祥具區湧金〉，收入劉芳如主編，《十九世紀末期中西畫風的感通之二.....more

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Shansi) who moved to Ch’ien-t’ang in Chekiang. He was active as a tai-chao in the Painting Academy from.....more

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outing. Although Tai Chin based the style here on those of Ma Yüan and Hsia Kuei in the Southern.....more

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of Kuo Hsi and mastered the ancient styles, being equal to Tai Chin. As the title suggests, this work.....more

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with Tai Chin, Hsieh Hüan, Shih Jui, and Chou Wen-ching. He studied the landscape styles of Kuo .....more

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