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唐盧鴻草堂十志圖 卷

唐盧鴻草堂十志圖 卷

as a recluse at Mt. Sung, he was a scholar as well as a calligrapher and painter. Several times during.....more

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明仇英松亭試泉圖 軸

明仇英松亭試泉圖 軸

Shih-fu, was a native of T’ai-ts’ang in Kiangsu Province. He was of humble origins and worked.....more

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明周臣漁?圖 卷

明周臣漁?圖 卷

and figure painting. He based his style on the work of the Sung dynasty masters Li T’ang, Liu Sung.....more

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名繪萃珍 冊 宋劉松年金華叱石

名繪萃珍 冊 宋劉松年金華叱石

named Huang Ch'u-p'ing, a native of Chin-hua, Chekiang. Later, he was called Huang Ta-hsien (“Great.....more

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明周臣松窗對奕圖 軸

明周臣松窗對奕圖 軸

, a native of Kiangsu, excelled at both landscape and figure painting. In landscapes, he based his style.....more

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明沈周倣倪瓚筆意 軸

明沈周倣倪瓚筆意 軸

. The poem which he inscribed on the painting refers to Ni Tsan, and the execution follows Ni’s.....more

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明劉原起靈巖積雪圖 軸

明劉原起靈巖積雪圖 軸

四世孫文柟楷書靈巖記。 &* Liu Yüan-ch’i was a native of what is now Soochow. Gifted at poetry and painting.....more

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明劉度畫春山臺榭 軸

明劉度畫春山臺榭 軸

hazily into the distance. In landscape painting Liu Tu studied with Lan Ying; he followed such Northern.....more

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明唐寅陶穀贈詞圖 軸

明唐寅陶穀贈詞圖 軸

and elegant style of Yuan artists. Forming a manner of his own, he was known.....more

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明唐寅品茶圖 軸

明唐寅品茶圖 軸

’ang Yin was 30 years old, slightly before he painted “Returning Home on a Donkey”. &*唐寅(西元一四七0-一五二三.....more

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明周臣水亭清興圖 軸

明周臣水亭清興圖 軸

畫圖錄,第六冊,頁309-310&*1.何傳馨,〈明周臣水亭清興〉,收入何傳馨、許郭璜編,《夏景山水畫特展圖錄》(臺北:國立故宮博物院,1991年七月初版),頁99。 &*  周臣(約西元一四五○至一.....more

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明史文玉蟾圖 軸

明史文玉蟾圖 軸

and powerful. The main figure is the Taoist immortal Liu Hai, who appears disheveled and barefoot.....more

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宋劉松年西園雅集 卷

宋劉松年西園雅集 卷

. This is a Ming dynasty (1368-1644) work imitating Liu Sung-nien's style. Liu started his career as a court.....more

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宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

。&The lohan sits with his back to a rock. His right shoulder is bare, and he.....more

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宋人法書(一) 冊 宋歐陽脩致端明侍讀留臺執事尺牘

宋人法書(一) 冊 宋歐陽脩致...

style name was Yung-shu, sobriquets were Tsui-weng and Liu-I chu-shih, and posthumous title was Wen.....more

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