符合的藏品
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宋四家真蹟 冊 宋米芾書論書
論調, 常見於米氏書論. 本幅書風則全宗二王, 不涉唐人狂草一筆, 足見米芾之理論與實踐確係相輔相成. 本幅選自「宋四家真蹟」冊. &*Mi Fu, a native of Hupeh, served.....more
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明董其昌雜書 冊 臨吳琚
of Hua-t’ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet.....more
- 20/42
明董其昌臨宋四大家書 卷
'ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet Ssu-pai.....more
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清永瑆臨御筆九成宮醴泉銘 軸
’ brushwork. In his early years he followed Chao Meng-fu’s style but later turned to Ou-yang Hsün’s.....more
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元張雨書七言律詩 軸
studied calligraphy under Chao Meng-fu, and his running and standard scripts clearly reveal Chao's.....more
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明董其昌臨鍾王帖 冊
國立故宮博物院 石渠寶笈續編（養心殿），第二冊，頁1070-1072&*故宮書畫錄（卷三），第一冊，頁97-99&*故宮歷代法書全集，第二十四冊，頁14-27、142-143&*董其昌（西元一五五五.....more
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明尤求西園雅集圖 軸
Huang T’ing-chien (1045-1105), the painter Mi Fu (1052-1107), the poet and calligrapher Ch'in Kuan (1049.....more
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宋張即之書李衎墓志銘 卷
Wen-fu and sobriquet Shu-liao) was a native of Wu-chiang（modern Ho county, Anhwei）. At the end.....more
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宋錢選畫時苗留犢圖 卷
known for their exceptional talent; of them, Ch'ien Hsuan and Chao Meng-fu are the most famous.....more
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