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符合的藏品

元人春山圖 軸

元人春山圖 軸

styles of Dong-Ju (Dong Yuan and Juran) and the Two Mi’s (Mi Fu and Mi Youren). The ink tone.....more

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元曹知白雙松圖 軸

元曹知白雙松圖 軸

landscapes, Ts'ao Chih-po studied the work of Kuo Hsi (f1.1068-1077). Two pine trees appear to reach.....more

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元王蒙東山草堂圖 軸

元王蒙東山草堂圖 軸

Meng-fu, he successfully absorbed Chao's methods, yet was able to develop his own style, eventually.....more

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元王蒙谿山高逸 軸

元王蒙谿山高逸 軸

painter Chao Meng-fu (1254-1322) anddiligently studied as a youth. Wang Meng's painting style followed.....more

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元吳鎮秋江漁隱 軸

元吳鎮秋江漁隱 軸

;-jan (fl.ca.960-980), while his bamboo paintings in monochrome ink followed those of the Sung painter.....more

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元戴淳匡廬圖 軸

元戴淳匡廬圖 軸

,頗有蒼老而穩健的感覺。明末清初的龔賢,在畫 風上與這幅畫有極相近之處。&*Tai Ch'un (Style name; Hou-fu) was a native of Ch'ien-t'ang.....more

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元朱叔重秋山疊翠 軸

元朱叔重秋山疊翠 軸

are painted with horizontal dabs of ink, recalling the style of Mi Fu and Mi Yu-Jen. The mountains.....more

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元張舜咨畫樹石 軸

元張舜咨畫樹石 軸

-tzu's use of the brush approaches that of Chao Meng-fu (1245-1322). 本幅 112.5x35公分、全幅 62公分 元順帝至正九年.....more

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五代南唐巨然秋山問道圖 軸

五代南唐巨然秋山問道圖 軸

artist who carried the style of his elder contemporary Tung Y'an (fl. 937-975) on to fresh ground.....more

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宋馬遠乘龍圖 軸

宋馬遠乘龍圖 軸

. Because he and his contemporary Hsia Kuei (fl.1180-1230) often concentrated their compositional.....more

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遼蕭瀜畫花鳥 軸

遼蕭瀜畫花鳥 軸

to that of other works by the Ming court artist Lü Chi (fl.1439-l505) rather than that of the 11th century. 本幅.....more

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元趙孟頫古木散馬圖 卷

元趙孟頫古木散馬圖 卷

公麟。 原野秋深,古木下散馬兩匹,無鞍韉之累,狀極幽閒自適。全幅以白描法為之,用筆古勁秀逸,流暢而有力,造景新奇蕭疏,具文人畫氣息。&*Chao Meng-fu was an 11th.....more

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元趙孟頫重江疊嶂 卷

元趙孟頫重江疊嶂 卷

墨,都極清婉奇突。全幅用淡墨起稿,逐層鉤染提破,間有筆不掩墨處。五十歲(一三○三年)畫。&*Chao Meng-fu, a native of Chekiang province.....more

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五代南唐董源洞天山堂 軸

五代南唐董源洞天山堂 軸

an awesome feeling of chill and shadow. Mi Fu praised Tung Yüan’s works, saying that his ridges.....more

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元黃公望富春山居圖 卷

元黃公望富春山居圖 卷

to painting. Depicted here is an idealized panorama of the Fu-ch'un mountains, west.....more

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