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清丁觀鵬丹書受戒圖 軸

清丁觀鵬丹書受戒圖 軸

古代帝 王的教訓具有鑑戒的價值。 丁觀鵬(約西元一七0七-一七七0年)、順天(今北京)人,擅長人物、道釋畫。雍正年間進入宮廷供職。&*The Book of Rites records.....more

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宋高宗書女孝經馬和之補圖上卷 卷

宋高宗書女孝經馬和之補圖上卷 ...

. The Ladies' Book of Filial Piety is a text that elaborates on the significance of piety.....more

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清唐岱秋林讀易圖 軸

清唐岱秋林讀易圖 軸

六十四歲所作。 &*Reading The Book of Changes in an Autumn Forest T’ang Tai (1673-after 1752) Ch’ing Dynasty.....more

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清張惠言篆書八言聯 軸

清張惠言篆書八言聯 軸

), he traced the contents of the Book of Changes, achieving renown in this classic with his.....more

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元人節書曲禮四語 軸

元人節書曲禮四語 軸

心千里」一印。&*The Ch'u Li or Detailed Ceremonials, is one section of the ancient Book of Rites. One.....more

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名人書畫扇(壬) 冊 明倪瑛坐看洗馬

名人書畫扇(壬) 冊 明倪瑛坐...

-shan, Kiangsu. In 1627, he did the paintings for Hu Cheng-yen’s woodblock printed book Shih-chu-chai.....more

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清沈顥畫懸崖垂瀑 軸

清沈顥畫懸崖垂瀑 軸

, he was particularly well versed in the last and wrote a book called Hua-chu, “Chats on Painting.....more

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元人三羊開泰圖 軸

元人三羊開泰圖 軸

(the Book-of-Changes) is "T’ai-kua" or the Diagram of Prosperity; its symbol is 三三三. The three solid l.....more

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明仇英畫帝王道統萬年圖 冊 箕子

明仇英畫帝王道統萬年圖 冊 箕...

的九個圖形,堂室外侍從分站兩列,如戲劇舞臺,讓觀者清楚看到主角的活動。 &*The record of “Vast Models” in the Book of Documents relates.....more

9/47
明仇英畫帝王道統萬年圖 冊 舜

明仇英畫帝王道統萬年圖 冊 舜

飄動的衣服,呈現出舞蹈的動態,與台上端坐的人物形成對比。&* The record of “Statutes of Shun ” in the Book of Documents refers.....more

10/47
明仇英畫帝王道統萬年圖 冊 良弼

明仇英畫帝王道統萬年圖 冊 良...

。&*The record “Fate of Yüeh” in the Book of Documents relates how the Shang King Wu-ting.....more

11/47
元趙孟頫書畫孝經 卷

元趙孟頫書畫孝經 卷

,樣樣精通。所倡書法入畫,影響後世甚鉅。 「孝經」一書乃孔子為曾子陳述孝道精義的著作,共十八章。本卷亦分十八段,每段圖文並茂。以白描畫成,中鋒運筆,衣褶線條圓勁,畫筆流暢而有力。&*The Book.....more

12/47
民國譚延闓楷書 軸

民國譚延闓楷書 軸

h the founding of the Republic. This scroll is a transcription of the “Liyun Datong” chapter of The Book.....more

13/47
清俞樾隸書七言聯 軸

清俞樾隸書七言聯 軸

than 30 years at the School for the Classics. His book on Examples of Disputable Problems in Old.....more

14/47
清金廷標畫仙館澄秋 軸

清金廷標畫仙館澄秋 軸

waiting. In the long corridor below, a servant carries a book in his clasped hands. In the foreground.....more

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