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符合的藏品

清王翬倣黃公望筆意 軸

清王翬倣黃公望筆意 軸

房舍 藤蘿 橋 瀑布 寒林.枯樹 竹 松 高士(士人、隱士) 江河、湖海 國立故宮博物院 石渠寶笈初編(御書房),下冊,頁1157-1158&*故宮書畫錄(卷八),第四冊,頁94&*故宮書畫圖錄,第.....more

376/1372
清王原祁仿倪瓚山水 軸

清王原祁仿倪瓚山水 軸

Wang Yűan-ch’i’s late works. In his inscription on this painting, Wang Yűan-ch’i notes.....more

377/1372
名賢妙蹟 冊 元倪瓚野石修篁

名賢妙蹟 冊 元倪瓚野石修篁

by a single rock, their leaves designed with rhythmic clarity. Ni Tsan's bamboo reveals the extent of his.....more

378/1372
明吳彬畫楞嚴廿五圓通佛像 冊 達摩

明吳彬畫楞嚴廿五圓通佛像 冊 ...

elements (earth, water, fire, wind, space, sight and perception). Wu Pin's album of the twenty-five.....more

379/1372
清王翬畫奇峰聳秀 軸

清王翬畫奇峰聳秀 軸

an angle’s boat drifts on the water. The artist has used a very wet brush, resulting in a rich and mois.....more

380/1372
清王原祁?浮遠岫圖 軸

清王原祁?浮遠岫圖 軸

) Ch’ing Dynasty Wang Yűan-ch’i’s landscapes, of which this undated painting is a good example.....more

381/1372
清黃鼎秋日山居 軸

清黃鼎秋日山居 軸

. A dry brush, Huang Ting’s particular signature, is employed throughout the landscape. Although.....more

382/1372
清王原祁仿倪瓚山水 軸

清王原祁仿倪瓚山水 軸

pervades Wang Yűan-ch’i’s late works. In his inscription on this painting, Wang Yűan-ch’i notes.....more

383/1372
宋許道寧雪溪漁父 軸

宋許道寧雪溪漁父 軸

with a pervading sense of the winter forest’s cold. Below lies a scattering of houses and buildings on the stream.....more

384/1372
宋諸名家墨寶 冊 宋陸游書尺牘 

宋諸名家墨寶 冊 宋陸游書尺牘...

of the Tang calligrapher Yan Zhenqing, making this a typical letter written in Lu’s middle years.....more

385/1372
宋賢書翰 冊 宋蔡襄致彥猷尺牘

宋賢書翰 冊 宋蔡襄致彥猷尺牘

Great Northern Sung Masters of calligraphy. Ts'ai's running script followed that of Chin and T'ang.....more

386/1372
清王敬銘山水 軸

清王敬銘山水 軸

landscapes he followed Wang Yűan-ch’i, and in his works Wang Yűan-ch’i’s spirit is very strong. In spite.....more

387/1372
明仇英乞巧圖 卷

明仇英乞巧圖 卷

. Also known as “Weaving Day” or “Women’s Day,” one of the most important activity was spinning thread.....more

388/1372
明徐渭畫竹 卷

明徐渭畫竹 卷

法恣肆,水墨淋漓,狀雨中之竹。卷末以淡墨畫幼竹數竿,尤為可愛。 &* Hsü Wei’s thicket of bamboo is executed with great.....more

389/1372
明董其昌倣張僧繇白雲紅樹 卷

明董其昌倣張僧繇白雲紅樹 卷

is light and fresh; the coloring, bright yet elegant. The artist’s colophon at the end of the painting.....more

390/1372

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