搜尋:N` 在 繪畫 分類當中

符合的藏品

明文徵明關山積雪圖  卷

明文徵明關山積雪圖  卷

name was Pi, he is best known by his style name, Cheng-ming; his sobriquets include T’ing-yün.....more

256/279
明陸治丹楓秋色 卷

明陸治丹楓秋色 卷

at painting. He studied the calligraphy of Chu Yün-ming and the painting of Wen Cheng-ming.....more

257/279
唐李昭道洛陽樓圖 軸

唐李昭道洛陽樓圖 軸

Ssu-hsün, followed his father's landscape style. &江渚上高樓層起,內有人對談讀書,童僕捧食穿.....more

258/279
唐李昭道春山行旅圖 軸

唐李昭道春山行旅圖 軸

。&*Li Chao-tao was the son of the painter and general, Li Ssu-hsün, and he served as Commissioner.....more

259/279
清惲壽平寫生花卉 冊 牡丹

清惲壽平寫生花卉 冊 牡丹

,墨色濃淡變化多端,韻致高雅,天機物趣躍然紙上。&* A native of Kiangsu, Yün Shou-p’ing was the leading essayist and poet.....more

260/279
清王時敏倣黃公望浮嵐暖翠圖 軸

清王時敏倣黃公望浮嵐暖翠圖 軸

. His style name was Hsün-chih; he was also known as Yen-k’o, Hsi-lu lao-jen, Hsi-t’ien chu-jen.....more

261/279
名賢妙蹟 冊 宋馬遠倚雲仙杏

名賢妙蹟 冊 宋馬遠倚雲仙杏

” and the other for “Yang xing hanmo” (Calligraphy of Née Yang). This work was probably done.....more

262/279
集古圖繪 冊 明陳惟允詩意圖

集古圖繪 冊 明陳惟允詩意圖

月,本幅當亦畫於此頃。 &* Ch’en Ju-yen (style name Wei Yün, sobriquet Ch’iu Shui) was originally from Lin.....more

263/279
明人便面畫冊(二) 冊 明陸治秋卉

明人便面畫冊(二) 冊 明陸治...

of such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his.....more

264/279
明人扇頭畫 冊 明陸治水墨山水

明人扇頭畫 冊 明陸治水墨山水

. A friend of Wen Cheng-ming (1470-1559) and Chu Yün-ming (1460-1526), his paintings were almost.....more

265/279
明沈周畫芝蘭玉樹 軸

明沈周畫芝蘭玉樹 軸

Chou was 51 and Wu K’uan 42. Chu Yün-ming also inscribed a poem on the painting.....more

266/279
明丁雲鵬白馬馱經圖 軸

明丁雲鵬白馬馱經圖 軸

年之繁細作風,而趨疏簡清逸之畫境。&*Ting Yün-p'eng was influenced by his father and came to enjoy painting. He.....more

267/279
清王時敏倣王蒙山水 軸

清王時敏倣王蒙山水 軸

of the Ch’ing Dynasty.” He was from T’ai-ts’ang, Kiangsu. His style-name was Hsün-chih, and his.....more

268/279
明人畫扇(亨) 冊 明陸治溪畔雙鴨

明人畫扇(亨) 冊 明陸治溪畔...

at poetry, classical prose, calligraphy and painting. He was a close friend of Chu Yün-ming (1460-1526.....more

269/279
無款豐綏先兆圖 軸

無款豐綏先兆圖 軸

in a Mirror” done by Fang Hsün (fl. late 18th c.) in 1797 and “Chung K’uei in a Mirror.....more

270/279