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符合的藏品

披薰集古 冊 明張宏畫秋江夜渡

披薰集古 冊 明張宏畫秋江夜渡

chose the subject from Song of the P’i-p’a by Po Chü-i, completing it in 1628 at the age of 51.....more

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明周臣甯戚飯牛圖 軸

明周臣甯戚飯牛圖 軸

with an archaic yet unusual style that is detailed yet free. This work shows Ning Ch'i (fl. 7th c. BC.....more

2/476
披薰集古 冊 明文徵明山水

披薰集古 冊 明文徵明山水

. This painting is the eleventh leaf in the album P'i-hsün ch'i-ku.   文徵明(西元一四七○-一五五九年),江蘇長洲人。初名.....more

3/476
民國臺靜農丈二行書鮑明遠飛白書勢 軸

民國臺靜農丈二行書鮑明遠飛白書...

the size of this work. However, I had never attempted a work on such a large scale, so I did not know where.....more

4/476
名繪集珍 冊  唐戴嵩乳牛圖

名繪集珍 冊  唐戴嵩乳牛圖

, but he was particularly famous as a painter of water-buffalo. His younger brother Tai I also earned.....more

5/476
披薰集古 冊 明鄭重畫閒窗對語

披薰集古 冊 明鄭重畫閒窗對語

harmoniously arranged as mountains rise in the distance. This is the 7th leaf from P’i-hsün chi-ku. 本幅.....more

6/476
披薰集古 冊 明丁雲鵬太極真隱

披薰集古 冊 明丁雲鵬太極真隱

. Painted by the late comer, Ting Yün-p'eng, on a summer day in the i-ch'ou year [1589]." Ting thus.....more

7/476
清惲壽平摹古 冊 牡丹

清惲壽平摹古 冊 牡丹

of P'i-ling.” Considered the equal of the “Four Wangs,” he is one of the “Ssu Wang Wu Yün.....more

8/476
五代梁關仝兩峰插雲 冊頁

五代梁關仝兩峰插雲 冊頁

of his pupil Hu I. 本幅 26.9x22.3公分 對幅 26.9x22.3公分 全幅 38.5x69公分 繪畫 關仝 五代梁關仝兩峰插雲 冊頁 故畫001234N000000001 .....more

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五代周文矩水榭看鳧 冊頁

五代周文矩水榭看鳧 冊頁

are in the shape of ju-i scepters. To the other side is a square table with one side that has.....more

10/476
清焦秉貞山水 冊 桐蔭清閣

清焦秉貞山水 冊 桐蔭清閣

has I-ma san-chien lattice windows (vertical slats with 3 horizontal members), often used.....more

11/476
清赫奕煙江漁艇 軸

清赫奕煙江漁艇 軸

。&* The exact birth and death dates of Ho I (sobriquet Tan-shih) are unknown, though he is known to have been.....more

12/476
明呂紀秋渚水禽 軸

明呂紀秋渚水禽 軸

. The combination of meticulous brushwork (kung-pi) with expressive ideas (hsieh-i) and the use of outlining.....more

13/476
宋燕文貴奇峰萬木 冊頁

宋燕文貴奇峰萬木 冊頁

painting under Ho Hui. His abilities were noticed by the academician Kao I, who then introduced him.....more

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明顧正誼山水 軸

明顧正誼山水 軸

,思白從予指授,已自出藍,畫此質之,品評當不爽也。觀此則知董其昌嘗從學畫,足以補畫史之不足。細與董畫相較,亦多水乳交融之處,然而出藍之譽,非謙詞矣。 &* Ku Cheng-i.....more

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