搜尋:Chinese was 在 繪畫 分類當中

符合的藏品

宋四家集冊 冊 宋蔡襄書尺牘 

宋四家集冊 冊 宋蔡襄書尺牘 

of this letter in running script, it was probably done in 1051, when Cai was at the Chinese age of 40. The style.....more

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清高其佩八駿圖 軸

清高其佩八駿圖 軸

馬 圉人 國立故宮博物院 石渠寶笈初編(重華宮),下冊,頁814&*故宮書畫錄(卷八),第四冊,頁99&*故宮書畫圖錄,第十一冊,頁27-28&* 高其佩(西元一六七二至一七三四年),東北遼陽人,隸.....more

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明欽揖摹古 冊 墨梅

明欽揖摹古 冊 墨梅

梅(白.紅.蠟梅) 國立故宮博物院 石渠寶笈初編(養心殿),上冊,頁497-498&*故宮書畫錄(卷六),第四冊,頁99&*故宮書畫圖錄,第二十四冊,頁34-39&*  欽揖,吳縣(今江蘇蘇州)人.....more

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清郎世寧畫十駿圖赤花鷹 軸

清郎世寧畫十駿圖赤花鷹 軸

states to the west for the Ch’ing court. Painted almost life-size, his use of Chinese techniques also.....more

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清艾啟蒙畫寶吉騮圖 軸

清艾啟蒙畫寶吉騮圖 軸

馴良,因錫之名」,乾隆癸巳(一七七三)艾啟蒙另有寶吉騮之作,故本幅成畫年代亦當在癸巳左右。 &* Ignace Sichelbart, who took the Chinese name Ai Ch.....more

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宋勾龍爽山水 軸

宋勾龍爽山水 軸

from India, so it is not surprising to see these monks as non-native Chinese. The so-called " Cental.....more

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明唐寅畫嵩山十景 冊

明唐寅畫嵩山十景 冊

overflow with a classical aura of brush and ink. The last leaf of this work done by Tang at the Chinese.....more

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清越王宮殿圖 卷

清越王宮殿圖 卷

in Chinese characters. This work is painted in a style reminiscent of that of the T'ang dynasty (618.....more

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清院本獵犬 軸

清院本獵犬 軸

is not in the traditional Chinese style. The realistic drawing, coloring, and modelling relate it to the work.....more

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民國齊白石長年大貴 單片

民國齊白石長年大貴 單片

) and the other a Mandarin fish (gui). These two words are homonyms for "year" and "wealth" in Chinese.....more

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元管道昇竹溪攬勝 軸

元管道昇竹溪攬勝 軸

come to be known as one of the most famous women artists in the history of Chinese painting.....more

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明文嘉巖瀑松濤圖 軸

明文嘉巖瀑松濤圖 軸

of a “dreamscape” in Chinese painting. 本幅 106.6x43.2公分、全幅 58.5公分 類型:繪畫 型式:靜態圖像 文嘉 數位化執行單位:國立故宮博物院 明文嘉巖瀑松.....more

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明吳彬文杏雙禽圖 軸

明吳彬文杏雙禽圖 軸

painting a novel contribution to Chinese art. On the severed branch is Wu Pin’s signature followed.....more

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明林良畫鷹 軸

明林良畫鷹 軸

in traditional Chinese histories that Lin Liang used the techniques of cursive style in painting.....more

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明顧正誼山水 軸

明顧正誼山水 軸

teacher lends new material to Chinese painting history. If we were to compare the works of the two.....more

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