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符合的藏品
共找到 141 筆符合的資料
清鄒一桂?宋苑畫榴下雄雞圖 軸
, Jang-ch’in and, at a later date, Erh-chih lao-jen. He became a chin-shih in 1728.....more
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清董邦達南屏晚鐘 軸
was a native of Fu-yang, Chekiang Province. He received the chin-shih degree in 1733 and afterward.....more
- 32/141
清錢維城新韶如意圖 軸
was a native of Wu-chin in Kiangsu. In 1745, he was the top candidate in the civil service.....more
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清錢維城畫梅茶水仙 軸
（西元一六八八－一七六六年）注重光影變化的技法。這應是當時宮廷中，畫家相互影響所致。&*Ch'ien Wei-ch'eng, a native of Wu-chin in Kiangsu.....more
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清董邦達畫大士像 軸
his chin-shih degree in 1733, and because of his broad knowledge and investigative skills.....more
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清董邦達倣王蒙萬疊芙蓉 軸
province, his style-name was Fu-ts’un and his sobriquet tung-shan. He took his chin-shih metropolitan.....more
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清董邦達三潭印月 軸
，故有三潭印月之目。&* Tung Pang-ta(1699-1769), a native of Chekiang, received the chin-shih civil service.....more
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清沈荃倣顏真卿告身帖 軸
處。 &*Shen Ch'üan was a native of Hua-t'ing (modern Shanghai). A chin-shih degree holder, he.....more
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花卉畫冊 冊 清楊晉梅花水仙
Dynasty Yang Chin (tzu Tzu-hao, hao His-t’ing and later Hao-tao-jen) was a native of Ch’ang-shu.....more
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清金廷標長至添線圖 軸
立竿在地面，用線來測量日影，日影當然最長，比較其他日子來說自有添線的必要。另外，從冬至後，白日漸長，婦女從事女紅的時間也增加，因此便有添線之說，以為象徵。 &* Chin T’ing-piao.....more
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明宋懋晉碧梧降暑 軸
, and later received instruction from Sung Hsü. Sung Mou-chin excelled at painting landscapes, buildings.....more
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明郭詡東山攜妓圖 軸
belonged to a convivial group of artists that included Wu Wei, Tu Chin and Shen Chou. In the Hung-chih.....more
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宋賢書翰 冊 宋蔡襄致彥猷尺牘
，宋四大家中，蔡襄學顏最神形俱似，但是氣骨稍嫌不足。 本幅為「宋賢書翰」冊一。&*Ts'ai Hsiang was a native of Fukien and a chin-shih degree.....more
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明花卉畫冊 冊 明金俊明梅花
面畫於六十五歲時，老幹虬枝，素花如雪，全得梅花疏傲之致。 &* Chin Chün-ming (original name Chin Kun, tzu Chiu-chang; later.....more
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