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宋趙伯駒春山圖 軸

宋趙伯駒春山圖 軸

, stylenamed Ch'ien-li, was the seventh generation grandson of Emperor Sung T'ai-tsu. He excelled in blue.....more

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宋蔡肇仁壽圖 軸

宋蔡肇仁壽圖 軸

進士,詩文作得很好,也擅於畫山水、人物,特別愛畫枯槎老樹,珍異怪石。這一幅畫描繪兩座玲瓏多變的奇石,佇立在草地上。金與石本來象徵著永恆,因此在畫幅中,「石」與「壽」往往發生著聯想。&*Ts'ai.....more

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宋趙伯駒漢宮春曉 軸

宋趙伯駒漢宮春曉 軸

。&*Chao Po-chu, a seventh generation descendant of Emperor T'ai-tsu of the Sung dynasty, was the son.....more

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宋蘇漢臣秋庭戲嬰圖 軸

宋蘇漢臣秋庭戲嬰圖 軸

戲,旁二人亦喜亦懼,欲試又止,情態異常逗人,惟人物比例暨衣飾敷染稍嫌板刻,疑為後代畫家託名之作。&*Su Han-ch'en was a native of K'ai-feng, Honan. He.....more

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元人上林羽獵圖 卷

元人上林羽獵圖 卷

。&*Ssu-ma Hsiang-ju of the Han dynasty (206 BC-220 AD) composed Ode in the Imperial Forest (Shang.....more

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宋蘇焯端陽戲嬰圖 軸

宋蘇焯端陽戲嬰圖 軸

欲奪之。三嬰兒表情姿勢互異,容貌圓渾可愛,筆致工穩,衣衫圖案細膩,褶紋處用筆勁挺,設色淳雅。&*Su Tsuo, a native of K'ai-feng, Honan, was the son.....more

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明仇英畫移竹圖 軸

明仇英畫移竹圖 軸

of the "Four Masters of the Ming Dynasty," was from T’ai-ts’ang, Kiangsu. His style-name was Shih-fu.....more

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明仇英秋江待渡 軸

明仇英秋江待渡 軸

,” was a native of T’ai-ts’ang, Kiangsu. His style-name was Shih-fu; his sobriquet, Shih-chou. Originally.....more

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明仇英蕉陰結夏 軸

明仇英蕉陰結夏 軸

. 1494-1552) Ming Dynasty Ch’iu Ying (tzu shu-fu) was a native of T’ai-ts’ang, Kiangsu. He was born.....more

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明仇英園林清課圖 軸

明仇英園林清課圖 軸

, sobriquet; Shih-chou) was a native of T’ai-ts’ang, Kiangsu. Some say he was a lacquer artist in his youth.....more

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明唐寅陶穀贈詞圖 軸

明唐寅陶穀贈詞圖 軸

,中主持觥立,使蒻蘭出歌侑酒,穀大慚而罷,是圖乃繪陶穀驛舍中事。 &T’ao Ku Presenting a Lyric to Ch’in Jo-lan T’ang Yin.....more

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明文臺香象皈依圖 軸

明文臺香象皈依圖 軸

軀拉長,巨石造形怪異,菩薩衣紋和白象的皮褶又似平行的線條表現,頗具變形之趣。全作筆墨高古,富於變化。 &* Wen T’ai (style name Yün-ch’eng.....more

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明尤求西園雅集圖 軸

明尤求西園雅集圖 軸

-1100), and the poet Ch'ao Pu-chih (1053-1110). Mi Fu, who also made a written record.....more

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明仇英柳塘漁艇 軸

明仇英柳塘漁艇 軸

-1644) Posing as T’ao Yüan-ming, a gentleman in a small fishing boat dangles his bare foot.....more

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明仇英春遊晚歸圖 軸

明仇英春遊晚歸圖 軸

布局雖源於南宋院畫,但取意則與明初戴進的「春遊晚歸」相近。惟仇作烘染細膩,人物情態生動,較戴進描寫更加細緻詳實。&*Ch'iu Ying, a native of T'ai-ts'ang.....more

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