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符合的藏品

明吳彬歲華紀勝圖 冊 結夏

明吳彬歲華紀勝圖 冊 結夏

is from the album Scenes of the Twelve Months. The artist’s use of brush and ink and the application.....more

1351/1372
清董邦達灞橋覓句 軸

清董邦達灞橋覓句 軸

Ch’i-ch’ang as his model, Tung Pang-ta’s landscapes captured the spirit of Yüan dynasty artists.....more

1352/1372
清郎世寧畫白猿 軸

清郎世寧畫白猿 軸

finesse, and the reflections in its eyes reveal a strong sense of volume. In fact, the gibbon’s.....more

1353/1372
清鄒一桂畫菊 軸

清鄒一桂畫菊 軸

in a variety of colors alongside a faceted rock. The artist’s use of brush is fine and precise; his.....more

1354/1372
清郎世寧畫白鷹 軸

清郎世寧畫白鷹 軸

of the thirtieth year of the Ch’ien-lung emperor’s reign (i.e., 1765), the subject official A-yü.....more

1355/1372
明仇英畫帝王道統萬年圖 冊

明仇英畫帝王道統萬年圖 冊

by Gu to illustrate his texts, and the work was then probably submitted to the court in Gu’s quest.....more

1356/1372
明人便面畫冊(四) 冊 明趙文俶墨梅

明人便面畫冊(四) 冊 明趙文...

從旁側出延展。構圖明簡、墨瀋淋漓。用筆寫意,卻神態古秀,頗饒姿韻。  本幅為「明人便面畫冊四」第十六開。 &*Wen T’i’s name is given as Shu in Wu-sheng.....more

1357/1372
主要品名:仿蘇焯端陽嬰戲圖

主要品名:仿蘇焯端陽嬰戲圖

資料:http://www.npm.gov.tw/exhbition/bir0401/chi0401/s-main4.htm | 收藏著錄 畫心尺寸:65cm×51cm 創作時間(西曆):2002 創.....more

1358/1372
主要品名:晚牧

主要品名:晚牧

,目視前方,正因其斗笠為風吹去。水牛、牧童而外,前景為以重墨帶水之筆寫出之水草,遠景則為以虛淡筆墨所寫成之水草。統覽此作,畫家以倒「S」型之結構作圖,其間並以些陴H墨雜草破之,使其構圖更見變化。 印記.....more

1359/1372
主要品名:飛泉

主要品名:飛泉

:立軸 說明:這幅「飛泉」圖,有著智者樂水,即是即非,隨心滋長,萬物茁壯之感,在畫面的經營上,不是傳統典型的移動視點空間表現方式,而是以景近和景遠的差別來佈置安排畫面,以「S」型表現水的流勢,既寫實又.....more

1360/1372
明文徵明陸治書畫合璧 卷

明文徵明陸治書畫合璧 卷

poetry's classical prose, calligraphy, and painting. He was a close friend of Chu Yün-ming.....more

1361/1372
明文徵明真蹟 卷

明文徵明真蹟 卷

, Wen focused on a central point to create a clever illustration of Po Chu-i's (772-846) masterpiece.....more

1362/1372
清王炳仿趙伯駒桃源圖 卷

清王炳仿趙伯駒桃源圖 卷

concept of immortality. The bright coloring and fine brushwork of Wang’s style correspond to those.....more

1363/1372
宋趙伯駒阿閣圖 軸

宋趙伯駒阿閣圖 軸

to the Museum's The Chien-Chang Palace, an anonymous Yüan painting. This grand yet delicate palatial.....more

1364/1372
元方從義神嶽瓊林圖 軸

元方從義神嶽瓊林圖 軸

and the dots and lines of the slopes and trees all have a free and unbridled sense. Fang's landscapes.....more

1365/1372

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