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元人歲朝百爵　軸

白雀，即為吉祥瑞兆。此畫無名款，舊訂為元人所作，實屬明代中、晚期職業畫師臨仿邊文進的風格，其花木禽鳥畫法呈現純粹平面裝飾效果，並不合自然物性。&*Bamboo, white plum blossoms.....more

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), he was appointed Painter-in-Attendance in the Wu-ying Hall. A twisted branch of white plum.....more

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are made up in the "three whites" fashion whereby their foreheads, noses, and chins are dabbed with white.....more

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parts of the leaves were left unpainted in the “flying white” technique (fei-pai). This free.....more

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雖有追法宋人花鳥畫之意，但無論是畫柳樹，或皴石頭、或畫羽禽，均屬呂紀一派典型畫風。&*A white goose, swimming in a lake, raises its head.....more

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watches two white geese swimming in a lotus pond as a servant stands behind him. The winding railing.....more

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white animals as auspicious omens worthy of tribute for presentation to the court. In the Ch’ieh-l.....more

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. Wearing a jeweled crown which bears a seated Buddha, Kuan-yin is shown placing a willow branch.....more

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as tribute. This painting of a white gibbon bears a short signature by Castiglione using his Chinese.....more

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;eh-er presented this white hawk and stand. Castiglione was thereupon commissioned to paint the bird.....more

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. The figures of the ladies here are plump and their faces done with white makeup. The horses.....more

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into the distance on a mountain road. The mist in the valleys is frosty white and highlighted.....more

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