符合的藏品

共找到 130 筆符合的資料

明陸治丹楓秋色　卷

is subdued and muted, similar in spirit to that of Wen Cheng-ming (1470-1559). The texture strokes.....more

121/130

。本卷繪春柳臨池，鴛鴦戲波，宮苑內，眾女仙群集文會。通幅皆重彩設色，女幵麗無倫。款繫治平三年，按南唐無此年號，當係後人偽署。&*Chou Wen-chü was a native.....more

122/130

邊氏不類，款字為後人所增添。 &* Pien Wen-chin’s original name was Ching-chao. He was a native of Sha-hsien, Frkien.....more

123/130

strokes, done in a manner derived from Wu Chen. Later, Wen Cheng-ming also used this type of mountain.....more

124/130

(1470-1523) Ming Dynasty T’ang Yin was a native of Wu-hsien, Kiangsu. His style names.....more

125/130

) was a native of Wu-hsien, Kiangsu. Noted for his filial piety and personal integrity, he.....more

126/130

。冊中人物多胡貌梵相，意態毫髮，敷色明豔古雅，筆墨亦蘊藉而富變化，取景及樹石造形，均著意誇大變形，古拙而有奇趣。 &* Wu pin, style name wen-chung.....more

127/130

s work was done in 1568 at the age of 72 and combines the composition and brushwork of Lu’s teacher Wen.....more

128/130

, was (along with Shen Chou, Wen Cheng-ming, and Ch’iu Ying) one of the Four Ming Masters. This work shows.....more

129/130

-chang; sobriquets Hai-yueh wai-shih and Hsiang-yang man-shih) was a native of Wu who lived.....more

130/130

第 9 頁

共 9 頁