搜尋:tung ch 在 書畫 分類當中

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明董其昌仿米瀟湘白雲 軸

明董其昌仿米瀟湘白雲 軸

》、《畫旨》、《畫禪室隨筆》諸書。對於後代的畫論及藝術發展影響甚鉅。   墨畫雲山數疊,喬林坡陀。通幅筆墨蒼厚腴潤,無論山皴、葉塊,皆神氣暢朗、秀潤蒼鬱。雖名仿摹,展現卻為己貌。&* Tung Ch’i.....more

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明董其昌書斯干之什 軸

明董其昌書斯干之什 軸

-七八二年)書風,結字端凝,布字行間略呈傾側,筆墨醇厚,勁力內蘊,皆自徐出,然清逸秀整之氣韻,則有過之。&*Tung Ch'i-ch'ang (style name was Hsü.....more

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清沈荃倣顏真卿告身帖 軸

清沈荃倣顏真卿告身帖 軸

at calligraphy. Shen's style initially followed Tung Ch'i-ch'ang's, but in later years was greatly.....more

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明董其昌臨宋四大家書 卷

明董其昌臨宋四大家書 卷

筆墨或有出入,然於四家之氣韻均能神會。其中臨米芾揚清歌反覆兩遍,卻筆筆不同,賦米書以雅淡之神韻。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t.....more

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清董邦達畫杜甫詩意 軸

清董邦達畫杜甫詩意 軸

杜甫詩意」,構圖皆與此畫相似。 &*After a Poem by Tu Fu Tung Pang-ta (1699-1769) Ch’ing Dynasty Tung Pang-ta (style.....more

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清董邦達蘇堤春曉 軸

清董邦達蘇堤春曉 軸

and later served as minister of the Board of Rites. He started his landscape paintings with Tung Ch’i-ch’ang.....more

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清王原祁畫山水 軸

清王原祁畫山水 軸

with the ideas of the Ming artist-theorist Tung Ch'i-ch'ang, simplifying the direction of the brush.....more

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明董其昌書春日行 軸

明董其昌書春日行 軸

國立故宮博物院 石渠寶笈初編(御書房),下冊,頁1094&*故宮書畫錄(卷二),第一冊,頁18&*Tung Ch'i-ch'ang was a native of Hua-t'ing.....more

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明董其昌書千文 冊

明董其昌書千文 冊

氏時年五十七歲,自福建副使辭官已年餘,潛心藝事,書畫有成,「吾書因生而得秀色」一語即此期之自評。本冊參合智永虞顏之筆法字勢,蘊含自有之清朗疏秀風神,是董氏中期傑出之作。&*Tung Ch'i-ch.....more

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清沈荃書周元公太極圖說 軸

清沈荃書周元公太極圖說 軸

in Tung Ch’i-ch’ang’s manner. This was done in 1677 at Shen’s nominal age of 54. 本幅 181.5x51.9公分、全幅 73公分 清.....more

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清董邦達仙廬澄霽 軸

清董邦達仙廬澄霽 軸

, was a native of Fu-yang in Chekiang. He used the style name Fu-ch’en and the sobriquet Tung-shan.....more

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清董邦達畫御花園古柏圖 軸

清董邦達畫御花園古柏圖 軸

(1699-1769) Ch’ing Dynasty Tung Pang-ta, style name Fu-ts’un and sobriquet Tung-shan, was native.....more

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清董邦達畫谿山深雪圖 軸

清董邦達畫谿山深雪圖 軸

. His painting style was based on those of Tung Yüan (fl. 937-975 A.D.) and Tung Ch’i-ch’ang.....more

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明董其昌雜書 冊 臨吳琚

明董其昌雜書 冊 臨吳琚

國立故宮博物院 石渠寶笈初編(長春書屋),下冊,頁1173&*故宮書畫錄(卷三),第一冊,頁120-121&*Tung Ch’i-ch’ang (1555-1636) was a native.....more

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清董邦達畫大士像 軸

清董邦達畫大士像 軸

想,面容慈祥。全幅筆法鬆秀。 &*Bodhisattva Tung Pang-ta (1699-1769) Ch’ing Dynasty Tung Pang-ta was a native of Fu.....more

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