符合的藏品

共找到 12 筆符合的資料

明周臣松泉詩思　軸

-1496). He based his style on the Sung Dynasty masters: Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia.....more

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to that of Tai Chin or a follower. Tai Chin’s style was based on the Southern Sung works of Ma Yü.....more

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風傾偃，益覺沁涼滿紙；牧童手持喜鶴反向而坐，與右行之水牛適成一均衡態勢，凡此俱見畫家營構之巧思。&* Tai Chin developed his landscape painting.....more

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，貌類胡戎。其身穿華服，腰配彎刀，帛魚與海螺，左手執鞭，右手握糜以控牛，精神專注。紈牛淺毛驪色，羊角犬面，不似稚犢，反類靈獸。背後巨樹垂藤，遠處煙靄，景色恬靜。 &* Tai Chin.....more

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reflects a style derived from that of the Southern Sung (1127-1279) masters Ma Yüan and Hsia Kuei.....more

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outing. Although Tai Chin based the style here on those of Ma Yüan and Hsia Kuei in the Southern.....more

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沈穩，從郭熙筆法而來的靈動山皴線條，為此剛硬山景憑添柔和氣氛。&*Ma Shih, a native of Kiangsu province, served in the Imperial.....more

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花點綴其間，士人會飲，醉意醺然。有徜徉於山徑、水濱者，亦有意猶未盡而繼續暢飲者。山石筆法靈巧活潑，遊人醉態的描寫極為生動。無畫家款印，筆墨風格已近浙派後期。 & Tai.....more

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of the artist, but Wen Cheng-ming in his inscription in the upper left gives the name of Tai Chin. &*　戴進（西元.....more

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techniques found in the works of the Sung dynasty painter Ma Yüan. This work is also closely related.....more

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，故有「馬一角」、「夏半邊」之號。本幅以戰筆描繪仙人乘龍，童子持杖相隨，筆意蒼老，畫極精謹。 &* Ma Yüan was a native of Ho-chung (modern.....more

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with Tai Chin, Hsieh Hüan, Shih Jui, and Chou Wen-ching. He studied the landscape styles of Kuo .....more

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