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宋人集繪 冊 無款秋山古剎

宋人集繪 冊 無款秋山古剎

to one side that soar upwards. Terraced buildings are tucked below. In the lower left, a boat travels.....more

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集珍壽古 冊 元喬仲常閒庭嬰戲

集珍壽古 冊 元喬仲常閒庭嬰戲

two others clap their hands and encourage from the side. At the left, another child, carrying a baby.....more

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宋人畫子母牛 軸

宋人畫子母牛 軸

with his bird perched on his hand. By his side is the bird's empty cage. The boy's eyes are fixed.....more

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元人畫同胞一氣圖 軸

元人畫同胞一氣圖 軸

in a garden. A kitten waits and looks up to one side, hoping for a bite, as a small child plays.....more

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元人漁莊秋色 軸

元人漁莊秋色 軸

-pole, the other also with a man reading a text with a fish-creel tied to the boat's side. Both men.....more

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明沈周寫生 冊 菊

明沈周寫生 冊 菊

Masters of the Ming dynasty. A chrysanthemum inclines to the side. Though painted with a rough and fast.....more

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清惲壽平王翬花卉山水合冊 冊 牡丹

清惲壽平王翬花卉山水合冊 冊 ...

(some pictured from the front and some from the side) fully depicts the beauty.....more

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元人舊蹟 冊 郭畀書七言律詩

元人舊蹟 冊 郭畀書七言律詩

the structure is often dense and the arrangement of characters expanding from one side to the other.....more

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宋人集繪 冊 無款周處擊蛟圖

宋人集繪 冊 無款周處擊蛟圖

Striking a Dragon”. However, judging by the staff at the figure’s side, he is probably one.....more

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清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

on the left side of the composition, encircling the distant mountains. The artist’s use of broad brush.....more

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清張鵬翀畫西山秋眺 軸

清張鵬翀畫西山秋眺 軸

and autumn trees are scattered along the winding slope of one side. On the other appears a cascade.....more

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清王武花卉寫意 卷

清王武花卉寫意 卷

as the artist has revealed the elegant and refined side to the subject matter. 本幅 20.8x119.8公分、隔水一 10.9公分、隔水二.....more

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明仇英畫帝王道統萬年圖 冊 湯

明仇英畫帝王道統萬年圖 冊 湯

realm leave only one side of the net up. He used this as a metaphor for gathering and retaining.....more

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宋人松風琴韻圖 軸

宋人松風琴韻圖 軸

and the composition weighted to one side as in Southern Sung works, the brushwork is coarser and use of ink less.....more

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名繪集珍 冊 宋夏圭觀瀑圖

名繪集珍 冊 宋夏圭觀瀑圖

of the middle Southern Song. Often placing the motifs in his compositions to one side, he was called “One.....more

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